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Emerging Rapper Tony C Returns With Feelgood Track “Quite Alright”
Roseville, California rapper/producer/songwriter Tony C has returned with his new single, “Quite Alright”, which follows previous release “Loser”. Now with over 750,000 Spotify streams to his name as an independent act, “Quite Alright” will add to his growing momentum and surely see him reach even greater heights.
Showcasing a feelgood vibe and positive outlook, the track is another impressive entry into Tony’s discography and proves why the rising artist is one to watch and has a bright future ahead. Featuring a chirpy production and Tony’s unique flow alongside an irresistible hook that will be ingrained into everyone’s head after one listen, it has all the makings of a hit.
Speaking further on the new release, Tony C says, “When I wrote this song, I was turning the corner from being sad about being rejected to accepting it and moving on. It sucked that it happened, but in the end I am still good. I tried to represent the side of me that has been through a lot of horrible s**t. And that side of me is strong enough to persevere.” “Quite Alright” is available to buy/stream now on all platforms: https://distrokid.com/hyperfollow/tonyc2/quite-alright-5.
Keep up to date with the latest from Tony C:
Plain Mister Smith returns with Bric-À-Brac Attack, a beautifully offbeat collection of indie-folk, pop and atmospheric songwriting. Released via Amelia Records, the album finds the Vancouver and London-based multi-hyphenate turning fragments of memory, relationships and everyday absurdity into something quietly cinematic.
At its centre is “Grindavik”, a shimmering, reflective track inspired by the Icelandic town shaped by recent volcanic activity. Bright acoustic guitars and steady drums carry a constantly shifting chord progression, mirroring the song’s central metaphor of a relationship under pressure and the hope that its fissures can eventually heal. Featuring Jordan Klassen and Kitt, the track captures the emotional tension that runs throughout the album.
Elsewhere, Bric-À-Brac Attack moves effortlessly between playful guitar-driven moments, lush arrangements and more introspective passages. “Miss Sunshine” brings infectious energy, while collaborations with Findlay Brown, Leeroy Stagger, Krystle Dos Santos and Tyson Mostenbocher add colour to an already eclectic record.
Former guitarist of Canadian darkwave band Moev and a cellist with the Vancouver Philharmonic Orchestra, Plain Mister Smith brings an unusually broad musical perspective to his songwriting. Yet Bric-a-Brac attack never feels overly calculated. Instead, it has the charm of something discovered rather than constructed.
Warm, strange, melodic and emotionally searching, Bric-À-Brac Attack is a record that rewards getting lost in its details. Plain Mister Smith may remain deliberately mysterious, but the music itself speaks with remarkable clarity.
Photo credit: Sandra Lockwood
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