We Speak Music
Eve Gallagher Shares New Single ‘Take My Hand’
Eve Gallagher is a well-traveled musical artist. Having co-written 90’s club hits ‘Love Come Down’, and ‘You Can Have It All’ with Boy George, she is classed as one of the best live performers around according to Billboard Magazine. She has left a lasting impression in the USA following a 22-state highly acclaimed tour there with her band.
She returns with her brand-new single ‘Take My Hand’ a compassionate anthem that will have an immediate effect on the listener. Everything on display, the music, the lyrics, the whole emotional ride, will all be embraced by those who listen.
The production consists of Eve Gallagher’s vocals, Patrick Murdoch (Mick Hucknall) on guitar, Roman Roth (Simply Red) on drums, Ondrej Pivec (Gregory Porter) on keyboards and organ, and Uli Heinzler on bass. These all combine to create the soul and blues with a sprinkle of gospel.
Eve Gallagher wrote the lyrics whilst her longtime friend Uli Heinzler composed and produced all of the songs on the forthcoming album. ‘Take My Hand’ was written as a tribute to all the lost souls in the world. She thinks that regardless of where, what, or who you are, everyone may extend a helping hand in compassion.
Eve Gallagher comments on the track, “I wrote the ballad ‘Take My Hand’ for all of the lost souls in our world: the stateless, the homeless, the desperate, for those who live in sadness and feel hopelessness. Anyone can reach out their hand in kindness; no matter where, what, or who you are.”
She is currently working on her forthcoming album, alongside Uli Heinzler, which has seen songs like ‘Lovin’ You Again’, ‘High On Life’, ‘Everybody Knows’, and ‘Higher and Higher’, featuring accomplished musicians Patrick Murdoch, Roman Roth, and Ondrej Pivec. Adrian Hall is mixing and mastering the entire project.
Eve Gallagher is excited about this release, showcasing her natural ability and personal development in the music business. Her music collection showcases her creative and affectionate attitude, and her unparalleled talent enables her to move fluidly between many genres.
In “You Never Do Shit,” Brooklyn’s Dead Tooth deliver a snarling, urgent post-punk single that distills their barbed energy into under four minutes of sharp-tongued wit and scuffed-up sonics. It’s a track that bristles with disdain—Zach Ellis’ vocal delivery is acidic, at times theatrical, and often more spoken than sung. There’s a punk rock immediacy here, but with the knowing wink of someone who’s watched the scene curdle and still wants to dance through the ashes.
The song began its life in a different medium—written for a fictional band on City on Fire—but the real-life iteration carries more weight. There’s a palpable satisfaction in Ellis’ decision to reclaim it, and that freedom seeps into every detail: the unkempt rhythm section, the jarring saxophone lines from John Stanesco, and the deliberate looseness that characterizes its structure.
Dead Tooth are at once participants and commentators in the culture they inhabit. Their songs are alive with noise, but also with intent—tracking the psychic hangover of nightlife, subcultural collapse, and underground scenes that burn bright and disappear too soon. Ellis’ lyrical observations land like tossed-off critiques, but underneath the smirk is something deeper, almost desperate: a desire for connection, even through chaos.
With their debut album looming, “You Never Do Shit” feels like a thesis statement. Not just of sound, but of ethos: reject slickness, embrace noise, tell the truth—even if it’s ugly. In a year when punk has mostly whispered or wandered, Dead Tooth has chosen to scream.
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