We Speak Music
Giant Killers Shares “When This Time is Over” Live at Teddy Rocks Festival
Shot live at the Teddy Rocks Festival in Dorset in May 2024, “When This Time is Over” marks Giant Killers’ first video release in 28 years. The video blends vibrant live performance footage from the main stage with intimate, candid moments featuring festival goers and friends backstage. This combination creates a nostalgic yet triumphant tribute to the power of friendship and shared experiences, all underscored by the inevitable passage of time.
The live footage was captured with special permission from the festival organizers, as the band members were initially there to perform with other groups throughout the weekend. Teddy Rocks is a unique charity event where all profits go towards supporting children with cancer, adding a layer of meaning and purpose to the performance. The positive reception of Giant Killers’ performance at the festival has set the stage for their eagerly anticipated full gig at the Shiiine On Weekender festival in November.
Teddy Rocks Festival is renowned for its mission to raise funds for children with cancer, providing a platform for musicians to come together for a cause that transcends entertainment. The festival creates a community spirit, with artists and attendees united by a shared purpose. The inclusion of Giant Killers, who performed a special one-song set, added to the festival’s unique and heartfelt atmosphere.
Following the warm reception at Teddy Rocks, Giant Killers are now gearing up for their first full gig in decades at the Shiiine On Weekender in November. This major festival appearance is highly anticipated, as fans old and new look forward to experiencing the band’s dynamic live performance once again.
In “You Never Do Shit,” Brooklyn’s Dead Tooth deliver a snarling, urgent post-punk single that distills their barbed energy into under four minutes of sharp-tongued wit and scuffed-up sonics. It’s a track that bristles with disdain—Zach Ellis’ vocal delivery is acidic, at times theatrical, and often more spoken than sung. There’s a punk rock immediacy here, but with the knowing wink of someone who’s watched the scene curdle and still wants to dance through the ashes.
The song began its life in a different medium—written for a fictional band on City on Fire—but the real-life iteration carries more weight. There’s a palpable satisfaction in Ellis’ decision to reclaim it, and that freedom seeps into every detail: the unkempt rhythm section, the jarring saxophone lines from John Stanesco, and the deliberate looseness that characterizes its structure.
Dead Tooth are at once participants and commentators in the culture they inhabit. Their songs are alive with noise, but also with intent—tracking the psychic hangover of nightlife, subcultural collapse, and underground scenes that burn bright and disappear too soon. Ellis’ lyrical observations land like tossed-off critiques, but underneath the smirk is something deeper, almost desperate: a desire for connection, even through chaos.
With their debut album looming, “You Never Do Shit” feels like a thesis statement. Not just of sound, but of ethos: reject slickness, embrace noise, tell the truth—even if it’s ugly. In a year when punk has mostly whispered or wandered, Dead Tooth has chosen to scream.
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