We Speak Indie Artist
Gino Black releases “Good Good” as his latest instrumental dance single!

Gino Black returns with another offshoot from his hip-hop lane. This time around he’s back in night life house DJ producer mode. Gino Black’s new single is the instrumental, “GOOD GOOD”. Upon hearing the opening slash of “GOOD GOOD“, you can tell you’re about to experience something extraordinary. The track has a unique offbeat drum arrangement, but it somehow works well in contrast to the rhythmic flow of the song. It’s 120 bpm so it’s full proof to work well for nightclubs DJs and blending with other songs. “GOOD GOOD” is a feel good instrumental dance track.
Gino Black is a Miami Florida based multi-genre producer and recording artist. He’s originally from Cincinnati, where he founded his independent label, Powerblast Worldwide. Gino Black currently has amassed an audience of over 500,000 listeners. He’s produced records for other artists who’ve also seen significant indie music success. And in 2021 he began releasing music as a solo artist and has seen a swift impact with his unique style of music.
“GOOD GOOD” is available now on all music streaming services!
Follow Powerblast Worldwide on IG: @PowerblastWorldwide
Follow Gino Black on IG: @GinoBlackOfficial
The track was Composed and Produced by: Gino Black
The track was Written and Arranged by: Gino Black
The track was Mixed and Mastered by: Gino Black
The track is Published by: POWERBLAST WORLDWIDE MUSIC [BMI]
Label, Marketing & Distribution: POWERBLAST WORLDWIDE
“GOOD GOOD“ is available for quick and easy sync licensing opportunities.
Contact:
POWERBLAST WORLDWIDE
music@powerblastwide.com
We Speak Indie Artist
Plain Mister Smith Pieces Together a World of Sound on Bric-À-Brac Attack
Plain Mister Smith returns with Bric-À-Brac Attack, a beautifully offbeat collection of indie-folk, pop and atmospheric songwriting. Released via Amelia Records, the album finds the Vancouver and London-based multi-hyphenate turning fragments of memory, relationships and everyday absurdity into something quietly cinematic.
At its centre is “Grindavik”, a shimmering, reflective track inspired by the Icelandic town shaped by recent volcanic activity. Bright acoustic guitars and steady drums carry a constantly shifting chord progression, mirroring the song’s central metaphor of a relationship under pressure and the hope that its fissures can eventually heal. Featuring Jordan Klassen and Kitt, the track captures the emotional tension that runs throughout the album.
Elsewhere, Bric-À-Brac Attack moves effortlessly between playful guitar-driven moments, lush arrangements and more introspective passages. “Miss Sunshine” brings infectious energy, while collaborations with Findlay Brown, Leeroy Stagger, Krystle Dos Santos and Tyson Mostenbocher add colour to an already eclectic record.
Former guitarist of Canadian darkwave band Moev and a cellist with the Vancouver Philharmonic Orchestra, Plain Mister Smith brings an unusually broad musical perspective to his songwriting. Yet Bric-a-Brac attack never feels overly calculated. Instead, it has the charm of something discovered rather than constructed.
Warm, strange, melodic and emotionally searching, Bric-À-Brac Attack is a record that rewards getting lost in its details. Plain Mister Smith may remain deliberately mysterious, but the music itself speaks with remarkable clarity.
Photo credit: Sandra Lockwood
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