We Speak Entertainment
GOSPEL MUSIC RISING STAR RICH TOLBERT JR. DEBUTS #1 ON BILLBOARD GOSPEL DIGITAL SONG CHART WITH NEW SINGLE “NEVER BE DEFEATED” AVAILABLE NOW
Tolbert’s Signature Vocals Heard on Billboard Gospel National Airplay Current Top Ten Hit “Miracle Worker” by JJ Hairston
(NASHVILLE, TN) – October 2, 2019 – Founder of JamesTown Music – GRAMMY nominated, Billboard Music Award Winner, and seven-time Stellar Award winner JJ Hairston celebrates the success of its newest signee Rich Tolbert Jr.’s single, “Never Be Defeated,” debuting number one on Billboard Gospel’s Digital Song Chart. The song makes an impressive debut at number one following a string of viral social media posts and highly attended tour dates. JJ Hairston’s JamesTown Music, is distributed exclusively by Entertainment One.
Richard Tolbert Jr., affectionately known as “Rich,” is an extraordinary worship leader, songwriter and psalmist with an undying passion to reach the heart of God through music. A native of the Bronx, New York, Tolbert’s musical journey began at the early age of 10, where he began leading in music ministry within his local church. Tolbert is currently serving as an Executive Pastor of Love Fellowship Tabernacle of Brooklyn, NY, under the senior leadership of Bishop Hezekiah Walker, where he also leads praise & worship every Sunday.
“Rich is an incredible worship leader that is important the genre of gospel music. It is my honor to help present him to the world through my imprint JamesTown Music in partnership with Entertainment One,” says JJ Hairston, founder of JamesTown Music.
Entertainment One’s Omega George says, “For the past three years or more I have been studying the sound, brand, and artistry of Rich Tolbert Jr. I’m excited about his present and future. He represents who the progressive sound and pace of the Gospel music genre.”
Tolbert’s “Never Be Defeated” is available for purchase at all major digital retailers. For more information on Rich Tolbert Jr. follow him on social media using the handle @richtolbertjr. For more information on Entertainment One visit entertainmentone.com.
We Speak Entertainment
IRENE MICHAELS JOINS THE RECORDING ACADEMY — AND WHAT THAT VOTE ACTUALLY MEANS
Awards nominations tell an audience an artist’s work has been noticed. Recording Academy Voting Membership tells a different story: that the artist has been recognized as a peer within the industry itself. Irene Michaels was recently named a Voting Member of the Recording Academy — the organization behind the Grammy Awards — and the distinction carries weight well beyond a title on a bio page.
Voting Membership isn’t handed out casually. It’s reserved for performers, songwriters, producers, engineers, and other creators actively working in the recording industry, and it comes with real influence: Voting Members are the people who ultimately determine Grammy nominees and winners each year. For an artist to be recognized at that level is, in effect, the industry saying her work belongs in the same conversation as the artists and professionals shaping the awards themselves.

That’s a meaningful marker for Michaels’ ongoing music career, which has moved from EPs and singles to Josie Music Award recognition and now into this kind of institutional standing. It reframes her not just as an artist building a catalog, but as a working member of the community that evaluates and honors that catalog industry-wide — someone whose judgment on music now carries an official vote.
It also adds context to everything else happening in her 2026: a triple nomination at the 12th Annual Josie Music Awards, an EP in Golden that’s earning recognition on its own merits, and a career that has spent the last several years steadily building credibility as a serious recording artist rather than a novelty comeback story. Recording Academy membership doesn’t arrive for artists still proving themselves — it arrives for artists the industry has already decided are part of it.
For Irene Michaels, whose career has spanned modeling, acting, publishing, and now music across multiple decades, the Recording Academy recognition is less a single headline than another data point in a larger pattern: an artist whose reinvention keeps being met, at every stage, with the industry taking her seriously.
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