We Speak Pop
Iona Griffey Breaks Free Of Toxicity And Heartbreak In With New Single ‘Colourblind’
Folk-Pop singer/ songwriter Iona Griffey is due to release her single ‘Colourblind’ on Friday 17th February 2023, with a planned debut album dropping later this year. Despite her young age, Iona has had great success playing live from pubs to larger venues, charity gigs to festivals, developing her honest and introspective songwriting and delicate vocals.
Stylistically, Iona has been described as a unique blend of Pop-Rock, R&B and Folk and is now determined to break into the contemporary music scene with ‘Colourblind’. Written as a therapeutic release following a toxic relationship, the song is multilayered in meaning and even touches upon a relatable situation of loving someone despite knowing they’re bad for you, being blind to objectivity. The song has already hit the airwaves on BBC Music Introducing in Suffolk. For Iona, ‘Colourblind’ is a metaphor for giving someone all your heart without their appreciation.
Iona states:
“I think many people in bad relationships should use my song as inspiration to strive for better.”
Iona Griffey has been singing from a very young age and actively songwriting since 2015. By 2020, she had penned over 50 original songs. The upcoming album reflects her dedication and authenticity and sees Iona pouring her heart out into her music. She aims to reach a wide audience with relatable experiences and themes of self-love and inner growth. ‘Colourblind’ and by extension the album, is all about female empowerment and portrays her overcoming past heartbreaks and toxic relationships, to be a role model for her younger female fans who may be facing similar situations, showing that there’s no need to accept this negativity. With the release date falling the week of Valentine’s Day, Iona aims to show an alternative aspect of love which is more about self-love than romantic love. Wanting to stand out against her pop contemporaries, Iona prides her sound as very instrument-driven seeing it as something of a rarity among many artists found in the commercial Pop charts.
Drawing inspiration from a variety of artists such as Stevie Nicks, Taylor Swift and Olivia Rodrigo, Iona Griffey is ready to break into the contemporary music scene in style, with a Pop-Rock aesthetic and strong female vocals. Her single ‘Colourblind’ is the first offering showing her incredible songwriting prowess. With lyrics such as “I gave you the whole rainbow, but you were colourblind”, Iona is on the way to becoming an inspiration for her peers. Be sure to follow Iona on all the social media platforms to keep up with new releases and gigs.
We Speak Music
Phoebe June Traces Love, Distance and Heartbreak on New EP ‘Kiss Me Over The Garden Gate’
For Phoebe June, some stories are easier to tell through music.
Her new EP, ‘Kiss Me Over The Garden Gate’, is an intimate collection that traces the emotional journey of a relationship from the exhilaration of falling in love to distance, uncertainty, heartbreak and, ultimately, learning to let go.
Inspired by artists including Gracie Abrams, Taylor Swift and Phoebe Bridgers, Phoebe June combines diary-like lyricism with melancholic ballads, subtle uptempo moments and an understated, emotionally honest production style.
At the centre of the project is ‘Thursday’, a bittersweet track about loving someone from a distance and holding onto the hope that the connection might survive.
Written after Phoebe left a country that held deep personal meaning, and left someone she cared about behind, the song looks back at the relationship from its beginning. Even its title is personal: the two first met on a Thursday.
The song captures the complicated feeling of walking away from something meaningful without believing that it necessarily has to be over. It’s about distance, memory and the possibility of finding your way back to someone, while recognising that hope only works when it goes both ways.
Across six tracks, the EP develops that story in sequence.
‘Everything You Are’ opens the project with the warmth of new love, while ‘Dead Sea’ explores the security of finding someone who helps you stay afloat through difficult times. As the story progresses, ‘Thursday’ introduces separation before ‘Getaway Car’ moves into the aftermath; unanswered questions, lingering attachment and the realisation that someone can profoundly affect your life while still being unhealthy for you.
‘One Day’ leaves the door open to the possibility of a future reunion, balancing hope with the understanding that some relationships may only exist in memory.
The EP closes with ‘Ophelia’, its emotional breaking point. Inspired in part by Friedrich Heyser’s painting of the same name, the track confronts the pain of feeling manipulated and unappreciated after giving everything to someone else.
The result is a project that deliberately moves from light to dark. Phoebe June considered not only the narrative but the emotional progression when sequencing the EP, allowing the brightness of its opening to gradually give way to the heartbreak of its closing moments.
Even the title reflects that feeling.
‘Kiss Me Over The Garden Gate’ takes its name from a flower, with the image of a gate separating two people becoming a metaphor for a love that remains beautiful but just out of reach. To reach over it requires effort, just as maintaining a connection across distance, uncertainty and changing circumstances does.
Ultimately, Phoebe June isn’t interested in simply documenting her own heartbreak.
She wants listeners to recognise themselves in it.
‘Kiss Me Over The Garden Gate’ is a collection about love, nostalgia, hope and regret and about what remains when something beautiful ends up on the other side of the gate.
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