We Speak Music
Jason Ricci Lays It All Down on 13 Hours
Jason Ricci plays harmonica like he has something to prove and a limited amount of time to prove it. On 13 Hours, recorded at Dockside Studios in Louisiana, he delivers the kind of record that makes you feel like you caught him on a night when the filter was completely off. This is his third album for Gulf Coast Records, and it sounds like a man who stopped caring what anyone thinks somewhere around album one and has been getting more comfortable with that decision ever since.
The opening track sets the tone fast. “Sick of This Shit” is exactly what it sounds like, biting, frustrated, and funny in the way that only real exhaustion can be funny. Ricci is not playing a character here. He is airing it out, and the band locks in behind him with the kind of groove that makes the whole thing feel more like a late night argument at a bar than a polished studio performance. That is meant as a compliment.
Renegade is the album’s fist in the air. It is loud and it means it. Big DisEasey pulls from the New Orleans well without being precious about it, the swagger is earned, not borrowed. Bubble Gum Pop lands as a deliberate exhale, a wink that acknowledges how absurd this whole thing is, which is the mark of someone who genuinely understands the blues rather than just performing it.
Kaitlin Dibble steals two of the album’s most important moments. Long Twisted Night, which she wrote, is a slow gut punch about loving someone who is being destroyed by addiction. It is not theatrical about it. It just sits in that feeling and stays there until you feel it too. The title track, written in memory of drummer John Perkins who passed away, is where the record finds its emotional bottom. Dibble sings it plainly, which is the right call. The song does not need decoration.
Ricci’s own life runs underneath all of it, the Blues Music Awards, the Grammy collaborations, the Rock and Roll Hall of Fame stages, but also the addiction, the homelessness, the hard years that he has never tried to hide. None of that is wallpaper here. It is the foundation the whole record is built on, and you can feel the difference between someone writing about struggle and someone writing from inside it.
13 Hours is dedicated to John Perkins. It is rough in the right places, honest without being self-pitying, and played by people who have been doing this long enough to know that the blues is not about misery. It is about what you do with it.
We Speak Music
SCARECROW’s John Blaze Delivers a Career Milestone With “Twisted” and Earns Josie Music Awards Song of the Year Nomination
John Blaze has spent nearly four decades fronting SCARECROW, the New York hard-rock outfit he founded in 1989, and in 2026 he delivered one of the most ambitious releases of his career with “Twisted.” Now, the song has reached another major milestone: “Twisted” has been nominated for Song of the Year in the Metal/Alternative category at the Josie Music Awards.
The nomination places Blaze and SCARECROW among this year’s recognized independent artists and songwriters at the Josie Music Awards, with the awards ceremony set to take place at Nashville’s legendary Grand Ole Opry. For an artist whose career has been built on persistence, independence and decades of hard-rock storytelling, the recognition gives “Twisted” an entirely new chapter.

Written by John Blaze and Chaffin, “Twisted” pulls together a lineup of guest players that reads like a rock family reunion, built around Blaze’s long-standing friendship with Dee Snider and the legacy of Twisted Sister, a band woven into SCARECROW’s story from its earliest days.
That connection goes all the way back to the beginning. SCARECROW’s original lineup featured guitarist Eddie Ojeda, best known for his work in Twisted Sister, and the two camps have remained connected ever since. “Twisted” makes that history explicit: Dee Snider appears on the record with guest vocals during the track’s climactic second verse and chorus, lending the song an instantly recognizable jolt of arena-rock power.
Snider isn’t the only marquee name in the credits. Mark Wood, founding violinist of Trans-Siberian Orchestra, contributes electrifying violin work that gives “Twisted” a cinematic sweep uncommon in modern hard rock. Rounding out the track are TJ Jordan on lead guitar and Bobby Marks on drums, creating a powerful, road-tested foundation behind Blaze’s signature gritty vocal delivery.
The Josie Music Awards nomination feels particularly fitting because “Twisted” isn’t simply another SCARECROW release. It brings together different eras of Blaze’s musical life while pushing the band’s sound forward. There’s history in the recording, but there’s also urgency. It doesn’t sound like a band looking backward. It sounds like one with unfinished business.

For Blaze, the nomination also represents recognition of a career that has largely been built outside the traditional machinery of the mainstream music business. Independent rock artists rarely survive for decades without a fierce commitment to what they do, and SCARECROW’s longevity speaks for itself. From the band’s early years and its 1991 debut, through the Blood, Sweat and 20 Years retrospective and the theatrical production I Am SCARECROW, Blaze has continued developing a world around the music rather than simply releasing songs.
That makes the Song of the Year nomination especially meaningful. After nearly four decades of building SCARECROW, Blaze now heads to the Josie Music Awards at the Grand Ole Opry with one of his most ambitious songs recognized in the Metal/Alternative category.
And there’s something wonderfully appropriate about the song that got him there.
“Twisted” connects SCARECROW’s beginnings to its present, reunites Blaze musically with figures tied to the band’s history, and demonstrates just how much fire remains in the project. With Snider and Wood contributing to the record and Blaze still driving the band he created from the ground up, the track feels less like a nostalgic reunion than a statement of survival.
Now it’s also an award-nominated song.
For John Blaze and SCARECROW, nearly four decades into the journey, “Twisted” has become more than another entry in the catalog. It’s a career milestone — and this September, that milestone is taking SCARECROW all the way to the Grand Ole Opry.
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