We Speak Entertainment
Khia and Trina Are Still At It, They Continue to Throw Insults at Each Other On Social Media
Some beefs simply won’t die, and it appears that Khia vs. Trina is one of them. After throwing some shade at each other over Instagram this past summer, the two have resumed their insult-chucking over the last week or so.
This part of the conflict surfaced during last week’s episode of The Queens Court, a web series Khia hosts with Ts Madison. During this particular show, Khia, who’s never had any problem airing out her beefs, called out Lil Wayne’s daughter Reginae Carter for clapping back at Khia’s diss toward her mom Toya Wright.
In her episode, Khia claims that Trina was once Reginae’s step mother and that she used to hook up with her mother Toya, her father Lil Wayne and his father figure, Baby.
“That’s how far me and your daddy [Lil Wayne] go way back,” Khia said to Reginae, who signed to her father’s Young Money Entertainment years ago. “Back to a time when your step mama Sour Puss [Trina] was fuckin’ your Baby,” she continued. “You know, no she’s not the baddest because she fucked your mama and your daddy. That don’t make her the baddest, baby. That make you a damn fool to even bring her up. Now, since your mama didnt tell you that she was swinging with your daddy and your step-daddy, Baby, I’m gon’ be the one to tell you: don’t bring that up no more baby. Don’t bring that up never again.”
For her part, Trina recently clapped back during an appearance on Power 105.1’s The Breakfast Club. Trina threw her bit of shade when DJ Envy brought up Khia’s claim that she didn’t write her own lyrics.
“We don’t address cockroaches on The Breakfast Club,” Trina said, taking aim directly at Khia. “What I’m trying to tell you is when you look at the Trina music, you look at the Trina name, you wonder how Trina lasts for 17 years, you wonder how Trina gets so many bags, hmmmmm—that royalty is very good daddy.”
In another newer episode of The Queens Court, Khia calls Trina a bedbug. “You is not the baddest bitch, you do not look better than me—bitch you do not have more hit singles than me. All you do is try to make friends with bitches in the industry. If I’m a roach, you a bedbug,” she said in one clip.
Check out the whole saga for yourself in the videos below. Trina’s Khia mention comes up at the 7:45 mark of her Breakfast Club interview.
We Speak Entertainment
“To Love Is To Perform”: Jada Di’Larosa’s Poetic Meditation on Love, Identity, and Solitude
On April 17, 2026, independent artist Jada Di’Larosa introduces a deeply evocative new chapter in her creative journey with the release of To Love Is To Perform. Emerging from the rich cultural undercurrent of New Orleans, Di’Larosa delivers a project that feels intimate, cinematic, and emotionally unguarded—an album that quietly lingers long after the final note fades.
Blending elements of alternative, indie, and nu-jazz, the record is less about traditional structure and more about atmosphere and emotional storytelling. It unfolds like a series of late-night reflections—soft, immersive, and deeply personal. Each track carries a sense of stillness, where restraint becomes a powerful artistic choice, allowing listeners to fully absorb the subtle complexities within her sound.
Between the Spotlight and the Shadows
Jada Di’Larosa’s artistry is shaped by a compelling dual existence. As a professional dancer and showgirl, her nights are filled with performance, light, and spectacle. Yet beyond the stage, she retreats into solitude—writing music that mirrors her introspective nature. This contrast is the emotional backbone of To Love Is To Perform, where themes of identity, vulnerability, and perception are explored with striking honesty.
Rather than presenting a polished, conventional album, Di’Larosa embraces imperfection. The project carries the raw essence of demos—unfiltered, organic, and alive. In her own words, it is “a diary” of her experiences, offering a glimpse into a world that is both quietly glamorous and deeply introspective. That authenticity gives the album its emotional weight, transforming it into something profoundly human.
Sound as Atmosphere, Silence as Language
Musically, the album is guided by minimalism and mood. Piano and violin arrangements intertwine with her haunting vocal delivery, creating a soundscape that feels almost suspended in time. Di’Larosa’s voice is uniquely her own—delicate yet assured, drifting through each composition with a poetic cadence that enhances the storytelling.
Tracks such as “showgirl” and “movie star” reflect the tension between persona and reality, while “bayou st. john” grounds the album in a sense of place and memory. The title track, “to love is to perform,” offers a philosophical lens on relationships, suggesting that love itself can be an act shaped by roles and expectations. Meanwhile, “costume” emerges as a defining moment—an exploration of identity, illusion, and the masks we wear.
Tracklist
- showgirl
- movie star
- bayou st. john
- to love is to perform
- candy
- blackbird
- spinster
- a love noir
- costume
- curtain call
A Quietly Powerful Artistic Statement
What makes To Love Is To Perform so compelling is its refusal to conform. It does not chase trends or demand attention—it invites it. The album thrives in its subtlety, rewarding listeners who are willing to slow down and engage with its emotional depth.
There is a cinematic quality throughout the record, as if each track is a scene from an unseen film—rich with symbolism, mood, and introspection. It’s an experience designed not just to be heard, but to be felt.
Defining Her Own Space
In an industry often driven by visibility and constant output, Jada Di’Larosa stands apart through intentional distance and artistic focus. She allows her work to speak on her behalf, cultivating a sense of mystery that only enhances her presence.
With To Love Is To Perform, she offers more than music—she offers perspective. It is a body of work that explores the delicate balance between who we are and who we present to the world, capturing the beauty and complexity of both.
As the release date approaches, the album positions Di’Larosa as a distinctive voice in contemporary alternative jazz—an artist unafraid to embrace vulnerability, ambiguity, and the quiet power of self-expression.
Connect with Jada Di’Larosa
Official Website: www.jadadilarosa.com
Instagram: @jada.dilarosa
Available on Spotify, Bandcamp, SoundCloud, and YouTube
For inquiries: jadadilarosa@yahoo.com
-
We Speak Music1 week agoMemory Spells Unleashes An Album That Glows With Human Connection
-
We Speak Music6 days agoPaul Archer Unleashes New Single ‘No Fear’
-
We Speak Music1 week ago
They Might Be Giants release video for Raspberries cover ‘Overnight Sensation (Hit Record)’
-
We Speak Music1 week ago
Christian Balvig offers up stunning first taster of new album in collaboration with Ensemble Hermes