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Khia and Trina Are Still At It, They Continue to Throw Insults at Each Other On Social Media
Some beefs simply won’t die, and it appears that Khia vs. Trina is one of them. After throwing some shade at each other over Instagram this past summer, the two have resumed their insult-chucking over the last week or so.
This part of the conflict surfaced during last week’s episode of The Queens Court, a web series Khia hosts with Ts Madison. During this particular show, Khia, who’s never had any problem airing out her beefs, called out Lil Wayne’s daughter Reginae Carter for clapping back at Khia’s diss toward her mom Toya Wright.
In her episode, Khia claims that Trina was once Reginae’s step mother and that she used to hook up with her mother Toya, her father Lil Wayne and his father figure, Baby.
“That’s how far me and your daddy [Lil Wayne] go way back,” Khia said to Reginae, who signed to her father’s Young Money Entertainment years ago. “Back to a time when your step mama Sour Puss [Trina] was fuckin’ your Baby,” she continued. “You know, no she’s not the baddest because she fucked your mama and your daddy. That don’t make her the baddest, baby. That make you a damn fool to even bring her up. Now, since your mama didnt tell you that she was swinging with your daddy and your step-daddy, Baby, I’m gon’ be the one to tell you: don’t bring that up no more baby. Don’t bring that up never again.”
For her part, Trina recently clapped back during an appearance on Power 105.1’s The Breakfast Club. Trina threw her bit of shade when DJ Envy brought up Khia’s claim that she didn’t write her own lyrics.
“We don’t address cockroaches on The Breakfast Club,” Trina said, taking aim directly at Khia. “What I’m trying to tell you is when you look at the Trina music, you look at the Trina name, you wonder how Trina lasts for 17 years, you wonder how Trina gets so many bags, hmmmmm—that royalty is very good daddy.”
In another newer episode of The Queens Court, Khia calls Trina a bedbug. “You is not the baddest bitch, you do not look better than me—bitch you do not have more hit singles than me. All you do is try to make friends with bitches in the industry. If I’m a roach, you a bedbug,” she said in one clip.
Check out the whole saga for yourself in the videos below. Trina’s Khia mention comes up at the 7:45 mark of her Breakfast Club interview.
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Cassidy Place Isn’t Guessing Anymore —Muse Proves She Knows Exactly Who She Is
Cassidy Place didn’t make Muse to test the waters. She made it to plant a flag — three tracks, no filler, zero hesitation. It’s the sound of an artist leaning all the way into her instincts and finally letting her aesthetic run the show: retro-pop shimmer, underground-club pulse, jazz-club intimacy, and that smoky Cassidy vocal that always feels like she’s letting you in on a secret.
Where most debut EPs feel like auditions, Muse feels like a statement. Small package, big personality.
Track One: “Take Me to the Bridge” — the late-night spark
The whole EP opens like a neon sign flickering on. “Take Me to the Bridge” has that throwback sophistication — a little disco, a little jazz, a little midnight mischief. Cassidy rides the groove like she grew up on vinyl and underground dance floors at the same time. It’s smooth, flirtatious, and confident in a way artists usually grow into years later.
Track Two: “Feel My Skin” — the slow-burn center
Here’s where she drops the temperature but somehow turns the heat up. “Feel My Skin” leans into texture — breathy vocals, minimalist production, a pulse that feels like someone whispering right behind your ear. It’s the emotional hinge of the EP, the moment where the character Cassidy’s building gets vulnerable, a little dangerous, and a lot more real.
Track Three: “Infatuation” — the restless release
“Infatuation” ties the entire EP together. It’s got the urgency, the tension, the edge. The track moves with the kind of energy you get when you’re right on the line between fantasy and impulse. Her vocal sits right at that sweet spot — expressive without ever losing control. It’s the payoff, the catharsis, and the moment you realize the EP wasn’t three singles… it was a carefully plotted emotional progression.
The Full Picture: A Three-Track Story About Desire
Muse works because Cassidy treats these songs like chapters, not singles. Together, they chart the arc of longing — the spark, the pull, the surrender. She blends vintage and modern in a way that feels intentional but never overdesigned. There’s a rawness under all the gloss that makes the EP breathe.
And while the run time is tight, nothing about the impact is small. Muse is the sound of an artist arriving — not loudly, but unmistakably.
If this is her first shot at defining herself, she’s already made the point:
Cassidy Place isn’t chasing a sound. She is one.
Steam Muse on Spotify here:
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