We Speak Music
MIN t Pushes Genre Boundaries on “Before The After”
Berlin-based artist MIN t returns with Before The After, a bold album that continues to blur the lines between electronic music, alternative pop, R&B, and bass-driven experimentation. Released on May 8, 2026, the project showcases the Polish-born producer and songwriter at her most fearless and sonically expansive.
Known for building immersive worlds through both production and storytelling, MIN t, the project of Martyna Kubicz, approaches music with a genreless mindset. Across the album, distorted basslines, UK garage rhythms, glitch-heavy textures, and vulnerable songwriting collide in ways that feel unpredictable but deeply intentional.
The title track, “Before The After”, sets the tone with high-energy percussion, swelling synths, and a restless atmosphere that mirrors the album’s themes of uncertainty and emotional collapse. Elsewhere, tracks like “Hope” and “Last Day” reveal a more intimate side of the record, pairing raw lyricism with sleek electronic production that feels equally cinematic and club-oriented.
MIN t’s background helps explain the project’s ambitious scope. A graduate of Berklee College of Music in Valencia, she combines formal musical training with years of experimentation in electronic production. Influences ranging from Aphex Twin to FKA twigs can be felt throughout the album, though the final result remains distinctly her own.
Having already performed over 300 shows across Europe and shared stages with artists including Jess Glynne and Angel Haze, MIN t continues to establish herself as one of the more adventurous voices in Europe’s electronic scene.
With Before The After, she delivers an album that feels intense, emotionally exposed, and constantly evolving. It is a record that embraces chaos without losing clarity, balancing experimental production with a strong emotional core throughout.
Ten years after Host Bodies first released the album Daily Apparatus, “On A Roll” has found a completely new groove.
For the Daily Apparatus: 10 Year Remixes project, multi-instrumentalist and producer Nicholas Hasty, under his Soul Glitch moniker, takes the original electronic-rock track and pulls it into deeper, more psychedelic territory.
The remix keeps the energy of Host Bodies intact while opening up the track with new beats, electronic textures and expressive saxophone solos. Electric guitar, bass and layered production give it a rich, genre-blurring sound that sits somewhere between indie electronic, jazztronica, soultronica and alternative dance.
There’s something particularly satisfying about hearing a decade-old track treated not as a relic, but as raw material. Soul Glitch reshapes “On A Roll” , finding new spaces within the original and bringing his own musical language into the mix.
The result is energetic, sensual, psychedelic and unapologetically expansive.
Ten years on, “On A Roll” proves that sometimes the best way to celebrate where a song came from is to find somewhere completely new for it to go.
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