We Speak Indie Artist
LA Rapper Chris Siders Shares Thought-Provoking Track “The Invisible Man”

Eminent amongst the Los Angeles and Monterey County spoken word scenes, LA-born artist Chris Siders has set out to deliver exciting, innovative and brutally honest storytelling in the world of hip-hop/rap. The rising LA Rapper Chris Siders only dropped his debut single, “Lately” (feat. Nana Razaia), in February 2022, but it’s already clear what a special talent he is, and this is no more evident than on his new single, “The Invisible Man”.
The track highlights Chris’ impressive lyricism, as well as his elite flow and delivery. Possessing all the right elements needed for a quality hip-hop track, it will surely help continue Chris’ rise in the music scene following his debut earlier this year. Speaking more on the new release, LA Rapper Chris Siders says, “‘The Invisible Man’ is inspired by the book by Ralph Ellison of the same title and tackles issues surrounding the stereotypes of young black African American males.
“Growing up I faced a ton of imposter syndrome based on who the world was telling me I was. My high school criminalised me and labelled me as a troublemaker for getting into fights every other week. They did not know that I was simply defending myself from bullies who were taunting me and physically harming me because I am of a darker skin complexion. In the chorus I rap, ‘Runnin’ from myself / I ain’t a killer though / Paint whatever image / I present the picture though.’ In addition to getting bullied by colourist classmates, I felt this world does not care about young dark black individuals. I felt and even to this very day I feel invisible.”
Cultivated by the lyrical works of Nas, Lupe Fiasco, Kendrick Lamar, Saul Williams and Phonte, and coupled with the boundless obscure aesthetics anime provides, Chris Siders creates a world where listeners can escape the daily hardships of life and at the same time face childhood and adulthood traumas. Tackling these issues head on with immeasurable talent, Chris is proving to be an icon in the making with a huge future ahead. “The Invisible Man” is available to buy/stream now on all platforms: https://distrokid.com/hyperfollow/chrissiders/the-invisible-man.
Keep up to date with the latest from Chris Siders:
We Speak Indie Artist
Marz Starlife Makes A Striking First Impression With Healing

Every once in a while, a debut comes along that doesn’t just introduce an artist – it reveals a soul. Marz Starlife’s first EP, Healing, is exactly that. It’s raw, it’s heartfelt, and it doesn’t pretend to have everything figured out. Instead, it leans into the messiness of real life – the mistakes, the heartbreak, the isolation – and tries to make sense of it all through music. Born in Jamaica, raised in the UK, and now back on the island, Marz brings a cross-cultural perspective to his storytelling, but at the heart of Healing is something deeply human: the need to reckon with the past in order to move forward.
Across the project’s standout tracks, Marz doesn’t hold back. In Bad Memories, he opens up about years lost to incarceration, fractured relationships, and the weight of regret. “Spent four birthdays locked up, baby remember me please,” he raps, in a tone that’s both matter-of-fact and aching. The production stays subdued and moody, letting the lyrics breathe. There’s no glorification of the streets here, only reflection. He admits to being young and caught up in the chase for fast money, but he also shows growth, making it clear that he’s not the same person he once was. It’s a track that lingers, not because it tries to be flashy, but because it feels real.
The title track, Healing, is where everything clicks. Marz taps into something almost spiritual as he raps, “I turn pain into power, darkness to light.” The song is layered with poetic lines and subtle emotional shifts, balancing toughness with tenderness. There’s a determination to rise above, even when the scars still sting. He reflects on his upbringing, his time in the streets, and the inner battles he continues to fight. “No shrink can understand how I’m feeling,” he says, and honestly, it’s hard not to believe him. The pain here is too specific, too lived-in. But instead of letting it swallow him, he uses it to fuel something greater.
What’s refreshing about Healing is that it doesn’t try to fit neatly into any one genre or narrative. Marz blends elements of UK hip-hop, Jamaican rhythm, and emotional rap into something that feels uniquely his own. He’s not here to be the loudest or the flashiest; he’s here to be honest. And in a world full of over-produced, over-polished music, that honesty stands out.
With Healing, Marz Starlife has given us more than a debut; he’s given us a mirror into his journey, and maybe even our own. Whether you’ve lived through similar struggles or are just someone who appreciates music with depth and heart, this EP is worth your time. It’s a reminder that healing isn’t linear, but it’s possible, and that sometimes telling your story is the most powerful thing you can do.
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