We Speak Music
LLOREN drops anthemic pop banger ‘Like This’
LLOREN is a burgeoning pop star whose infectious and epic music you have probably heard already, but not actually known it yet. With tracks appearing recently in Greys Anatomy, The L Word, 1923, Wish, The Company You Keep, Made In Chelsea, Love Island UK & USA and more, LLOREN’s music has been moving its way gradually into the wider consciousness, setting the stage for her emergence as the next alt-pop force of nature.
Her rich, versatile vocal, emotional melodies and cinematic, powerful contemporary inspired compositions have been embraced heavily by the sync/TV/trailer music world since her 2019 debut single ‘Into The Fire’, which also saw her invited to join American artist Fleurie on her first European tour. During the tour, she caught the eyes of promoters who invited her back to open for household names Johannes Oerding and Michael Patrick Kelly.
In the UK, LLOREN is no stranger to the annual PRIDE celebrations having played both Manchester and London where she headlined the women’s stage and has entertained crowds over 10000. She has also toured with Canadian artist Mauvey with whom she collaborated with on the track ‘Pillow’, performing it at BBC Radio 1’s Big Weekend as well as the Isle Of Wight Festival 2023.
LLOREN, aka Lauren Bannon, is now set to move forward with her own artist project again with single ‘Like This’ dropping ahead of a string of new single releases, plus an album on the cards.
‘Like This’, with its relatable lyrics and nostalgic 80s-inspired anthemic sound, is about wanting the ‘magic,’ and once you’ve had a taste of that good life, knowing you can no longer settle for anything less than extraordinary. It’s about knowing something exceptional exists and holding out for it.
In “You Never Do Shit,” Brooklyn’s Dead Tooth deliver a snarling, urgent post-punk single that distills their barbed energy into under four minutes of sharp-tongued wit and scuffed-up sonics. It’s a track that bristles with disdain—Zach Ellis’ vocal delivery is acidic, at times theatrical, and often more spoken than sung. There’s a punk rock immediacy here, but with the knowing wink of someone who’s watched the scene curdle and still wants to dance through the ashes.
The song began its life in a different medium—written for a fictional band on City on Fire—but the real-life iteration carries more weight. There’s a palpable satisfaction in Ellis’ decision to reclaim it, and that freedom seeps into every detail: the unkempt rhythm section, the jarring saxophone lines from John Stanesco, and the deliberate looseness that characterizes its structure.
Dead Tooth are at once participants and commentators in the culture they inhabit. Their songs are alive with noise, but also with intent—tracking the psychic hangover of nightlife, subcultural collapse, and underground scenes that burn bright and disappear too soon. Ellis’ lyrical observations land like tossed-off critiques, but underneath the smirk is something deeper, almost desperate: a desire for connection, even through chaos.
With their debut album looming, “You Never Do Shit” feels like a thesis statement. Not just of sound, but of ethos: reject slickness, embrace noise, tell the truth—even if it’s ugly. In a year when punk has mostly whispered or wandered, Dead Tooth has chosen to scream.
-
We Speak Music1 week agoShadows of a Silhouette deliver a rush of energy with razor-edged new garage-rock single, ‘No Matter Where I Go’
-
We Speak Music1 week agoAcclaimed US singer-songwriter Juliet Lloyd to tour the UK for the first time this summer
-
We Speak Entertainment3 days agoThe Unconventional Path of a Musician Without Boundaries
-
We Speak Music3 days agoLimahl ‘A Horse With No Name’ – A dusty classic, reborn with synths and swagger