We Speak Electronic
Mouth Water’s ‘JJ (Give and Take)’ Feels Like a Hug You Can Hear
Mouth Water is back with JJ (Give and Take), and honestly, it’s the kind of track that sneaks up on you and makes you feel something without trying. Written for his daughter, it’s about that first meeting; the wonder, the curiosity, the tiny, unspoken moments that you can only feel, not explain.
“So come and shine / Never dreamed you’d be so fine / Salt dissolves in water…” the song whispers, like a quiet morning by the lake. And then, just when you think you’re floating, Fancelli reminds us: “You don’t know me / I took you down by the lake / While you were asleep / It’s give and take.” Tender, a little playful, and full of wonder.
There’s almost no synths here—just warm, human sounds, with subtle vocoder touches that feel like they’re breathing with you. It’s calm, intimate, and surprisingly alive, like watching someone discover a tiny miracle for the first time. The song captures that perfect tension of not knowing, of watching and waiting, of giving and taking.
JJ (Give and Take) is a tiny story, a feeling in music form. It’s one of those pieces that makes you stop scrolling and just listen, and maybe think about the people you love, the little things you notice, and the moments you don’t want to forget.
So grab some headphones, let the song wash over you, and remember: sometimes the most powerful connections are the ones we feel before we even know them.
Brooklyn duo Dancing In Tongues return with their new single “Petri Dish” and it lands like a quiet exhale in a loud world.
Built from soft-focus electronics, delicate rhythms, and vocals that feel almost whispered into the room, “Petri Dish” is less a traditional single and more a suspended moment. It drifts, pulses, and holds its breath in all the right places.
The track is the first glimpse of their upcoming 4-track EP of the same name, due 3rd July, and was written and produced in Berlin with Lucas Herweg (LLUCID) and Jacob Bergson (TAUT), working together as Designer.
At its core, “Petri Dish” comes from something deeply personal: the duo’s experience with IVF. Rather than framing it in heavy-handed terms, the song captures the emotional weather of it all; the waiting, the hope that arrives faster than you expect and the strange stillness that sits alongside it.
That duality runs through everything here. The production feels weightless but never empty with shimmering synths that blur at the edges, textures gently fold into one another, and the rhythm never quite settles into certainty. It moves the way thoughts do when you’re waiting for news you can’t control.
Vocally, Sarah Martin-Nuss stays close to the mic, almost conversational at times, which makes the emotional impact feel even more direct. There’s no performance of grandeur here, just presence, honesty, and space to feel things as they are.
Dancing In Tongues have always worked in that in-between zone where electronic music becomes something more tactile and personal, and “Petri Dish” is no exception.
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