We Speak Music
Nativalien Drops Lush, Late-Night Pulse of Deep House Emotion with ‘On & On’
There’s no mistaking the intention behind ‘On & On’, the latest single from Nativalien. It’s built to move bodies, but it hits somewhere deeper. Released today via Hot Soap Records, the track sees Qais Khoury (aka Nativalien) teaming up with his own vocal alias, Pinwheel Valley, for a rich, piano-led slice of vocal house that’s equal parts elegant and raw.
Opening with a bold grand piano hook and layered percussion, ‘On & On’ is both expansive and precise. Bursts of sirens and subtle urban textures edge the track into late-night territory, while the topline, delivered by Khoury under the Pinwheel Valley moniker, brings a sharp emotional weight.
It’s a confident step forward for the Cyprus-based producer and studio head, who’s spent the past decade quietly refining his sound. Drawing on a global upbringing and a background in both songwriting and production, Khoury uses ‘On & On’ to connect the dots between introspective electronic and high-gloss club music. Think less disposable banger, more after-hours anthem with staying power.
Where previous Pinwheel Valley releases leaned into atmospheric songwriting, ‘On & On’ makes rhythm the driving force but never loses the emotion. There’s warmth here, there’s ache, and there’s clarity in the craft. It may be designed for the floor, but it lingers in the headphones long after the last note fades.
Follow Nativalien:
Website – Instagram – Beatport – Soundcloud – Spotify
Follow Pinwheel Valley:
Website – Instagram – Facebook – Soundcloud – TikTok – Youtube – Spotify
Image credit: Doros Theodorou
We Speak Music
Flesh and steel collide on new Dead Chic track “The Bells and The Fists”.
With images captured during one of their recent live performances, director Pablo Delpedro sought to highlight the intensity that is so characteristic of Dead Chic. The release of the band’s new single “The Bells and The Fists” was the perfect opportunity to illustrate this: a strange, shadowy track where flesh and steel collide, the soundtrack to a pagan ceremony unfolding somewhere deep in the bowels of the earth.
The video immerses us in the world of the four band members. Through their looks, their movements, their chaos and fury, we find ourselves at the heart of the storm, in the thick, sweaty atmosphere that turns each of their concerts into a dark and intense ritual.

Dead Chic originally formed from the partnership between Andy Balcon and Damien Félix. They met a few years ago while touring with their respective bands (Heymooshaker and Catfish), frequently crossing paths on the road and catching up backstage to discuss music, idols, and the possibility of collaborating. After a few years without crossing paths, they reconnected in the fall of 2020. Before discussing musical influences, Andy and Damien shared visual references, illustrations, and landscapes that would form the foundation and direction of their work. The idea of working together then took a serious turn, and after some exchanges, “Too Far Gone,” their first track, was released in 2022.
They were then joined by Rémi Ferbus on drums (known for his work with Kimberose, Mélissa Laveaux, among others), who had previously collaborated with Andy; and Mathis Akenginon keyboards, a long-time collaborator of Damien in Catfish. Over the years, through tours and travels, the musicians have honed their skills, enriched their cultural knowledge, and defined their individual styles. The combination of the four immediately sparked.
Dead Chic’s debut album ‘Serenades and Damnation’ is out now via Upton Park. “The Bells and The Fists” is something new that is a taster of where Dead Chic are headed for 2026.

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