We Speak Music
Nativalien Drops Lush, Late-Night Pulse of Deep House Emotion with ‘On & On’
There’s no mistaking the intention behind ‘On & On’, the latest single from Nativalien. It’s built to move bodies, but it hits somewhere deeper. Released today via Hot Soap Records, the track sees Qais Khoury (aka Nativalien) teaming up with his own vocal alias, Pinwheel Valley, for a rich, piano-led slice of vocal house that’s equal parts elegant and raw.
Opening with a bold grand piano hook and layered percussion, ‘On & On’ is both expansive and precise. Bursts of sirens and subtle urban textures edge the track into late-night territory, while the topline, delivered by Khoury under the Pinwheel Valley moniker, brings a sharp emotional weight.
It’s a confident step forward for the Cyprus-based producer and studio head, who’s spent the past decade quietly refining his sound. Drawing on a global upbringing and a background in both songwriting and production, Khoury uses ‘On & On’ to connect the dots between introspective electronic and high-gloss club music. Think less disposable banger, more after-hours anthem with staying power.
Where previous Pinwheel Valley releases leaned into atmospheric songwriting, ‘On & On’ makes rhythm the driving force but never loses the emotion. There’s warmth here, there’s ache, and there’s clarity in the craft. It may be designed for the floor, but it lingers in the headphones long after the last note fades.
Follow Nativalien:
Website – Instagram – Beatport – Soundcloud – Spotify
Follow Pinwheel Valley:
Website – Instagram – Facebook – Soundcloud – TikTok – Youtube – Spotify
Image credit: Doros Theodorou
There is a sense of arrival woven into every moment of Edwina van Kuyk’s new single, “Here To Stay.” The Irish pop-soul artist has steadily built momentum with each release, but this latest offering feels like a defining statement—one that showcases both her artistic growth and her willingness to dream bigger. Rich with warmth, heart, and ambition, the track captures an artist stepping confidently into her next chapter.
At the centre of the song is an uplifting fusion of contemporary pop-soul and gospel-inspired grandeur. Produced by Cian O’Donoghue, the arrangement gradually unfolds into something expansive and deeply moving, allowing Edwina’s expressive vocals to shine. The addition of the choir from St. Kevin’s Community College in Clondalkin proves transformative, adding a sense of community and emotional scale that elevates the song beyond a traditional pop release.
What makes “Here To Stay” particularly compelling is its sincerity. The influence of gospel music is felt not only in the choir arrangements but in the spirit of the track itself. There is an uplifting quality running through the song that feels earned rather than manufactured, driven by genuine passion and conviction. Edwina’s vocal performance anchors every moment, balancing vulnerability with strength.
The collaboration with the St. Kevin’s choir also brings an inspiring local dimension to the release. Their voices add richness and texture, creating moments that feel celebratory without sacrificing intimacy. It’s a reminder that some of the most powerful musical moments come from collective expression rather than individual spotlight.
As Edwina’s profile continues to grow, “Here To Stay” stands as her most accomplished release yet. It is ambitious without losing its emotional core, polished without feeling distant, and uplifting without becoming predictable. Most importantly, it feels like the work of an artist who knows exactly where she is headed—and who has every intention of staying there.
