We Speak Music
Philippa Healey releases ‘I Used To Be Fun’

“Philippa is so refreshingly adventurous with harmony, melody, and rhythm.” – Paul Turner – Jamiroquai – bass
Highly acclaimed Philippa Healey unveils a cheeky tribute to tired mums everywhere on tongue in cheek future funk classic ‘I Used to Be Fun’.
Giving Prince and Stevie a firm nod, London singer Miss Healey, alongside legendary guests from Jamiroquai, combine a sophisticated and seductive sound on this highly relatable cut which pays homage to the struggles of long-term relationships.
Philippa’s masterful vocal phrasing – which ranges from girlish breathlessness to an impassioned belt – perfectly portrays the paradox of the song’s narrative; a frazzled mother determined to seduce, and therefore overcome her own exhaustion, if only just for one night. Hilarious lines like, “If it all gets too familiar, I’ll picture Milo Ventimiglia” conjure memories of Victoria Wood’s live piano classic, ‘Ballad of Barry & Freda (Let’s Do It)’.
However, Philippa, brings her canned heat under a heavy influence of 70s, 80s and 90s jazz funk. Philippa Healey is what some might class a musician’s musician, though we suspect the public will soon become aware of this new genie in a bottle. Highly revered among her peers, an Oxford University music graduate & West End leading lady who started life as a classical pianist and opera singer at the highly competitive Chetham’s School Of Music, Philippa developed – not only as a singer and pianist – but also composer & arranger who was lured by the chance to star in the West End’s record-breaking London production of ‘Les Miserables’. Philippa went on to develop her own Vegas-style cabaret show and has headlined relentlessly all over the globe for the world’s most luxurious cruise lines.
As she enters this new phase in her musical journey she returns to original composition and her true passion of soul and funk, and in 2024 has begun to release her own music with a little help from the Jamiroquai rhythm section, which is where you’ll note the irrepressible sounds of Rob Harris (guitar), Paul Turner (bass), and Derrick McKenzie (drums); a.k.a the “Dream Team Of Funk” (as lovingly nicknamed by Philippa herself.) Honourable mention also goes to Hammond organ whizz-kid Liam Dunachie, a staunch favourite on the London jazz circuit, who delivers exquisite voice leading and additional harmonic colours. To quote Miss Healey: “The track was already sounding sublime in the studio…and then Liam just came in, and sprinkled magic fairy dust all over it in about 5 minutes flat. The Jamiroquai lads and I were in awe!”

We Speak Music
Sunrise in Jupiter ‘Take Me Home’ – A Transmission From the Soul

With “Take Me Home”, Sunrise in Jupiter deliver not just a song, but a visceral, emotional lifeline. The second single from their concept album Mission to Mars Vol. 1, this track finds the band stripping back the cosmic theatrics just enough to reveal something raw and deeply human. Riding the wave of their viral debut “Satellite”, the band doesn’t play it safe — instead, they venture further into the emotional orbit with a ballad that feels like it’s been pulled from the very edge of space and time.
At the heart of the song lies a voice message — a simple yet devastatingly sincere moment between a father and daughter. That real-life inspiration pulses through the entire track, lending it a gravity that transcends the usual alt-rock fare. Lead singer and frontman channels that longing into a vocal performance that’s equal parts fire and fragility. “Take Me Home” doesn’t ask for sympathy — it demands connection, in the way only great songs can.
Musically, the band constructs a layered and cinematic soundscape, rich with glowing guitars and echoing drums that mirror the vast loneliness of space. The chorus hits like a sonic flare — “Don’t leave me empty-handed / Don’t leave me dead and stranded” — as guitars swell and synths shimmer beneath emotionally torn vocals. The whole track feels like a desperate cry hurled across galaxies.
Thematically, this is the perfect closer to the first chapter of Mission to Mars Vol. 1. It captures the conflict between distance and desire, between ambition and the aching need for home. Sunrise in Jupiter don’t just explore outer space — they map the emotional terrain we all navigate in isolation.
“Take Me Home” is more than a follow-up single. It’s proof that Sunrise in Jupiter are crafting something special — not just music, but modern myth-making. They’re not just telling a story; they’re sending signals to anyone who’s ever felt alone. And the message comes through loud and clear.
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