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Philippa Healey releases ‘I Used To Be Fun’

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“Philippa is so refreshingly adventurous with harmony, melody, and rhythm.” – Paul Turner – Jamiroquai – bass

Highly acclaimed Philippa Healey unveils a cheeky tribute to tired mums everywhere on tongue in cheek future funk classic ‘I Used to Be Fun’.

Giving Prince and Stevie a firm nod, London singer Miss Healey, alongside legendary guests from Jamiroquai, combine a sophisticated and seductive sound on this highly relatable cut which pays homage to the struggles of long-term relationships.

Philippa’s masterful vocal phrasing – which ranges from girlish breathlessness to an impassioned belt – perfectly portrays the paradox of the song’s narrative; a frazzled mother determined to seduce, and therefore overcome her own exhaustion, if only just for one night. Hilarious lines like, “If it all gets too familiar, I’ll picture Milo Ventimiglia” conjure memories of Victoria Wood’s live piano classic, ‘Ballad of Barry & Freda (Let’s Do It)’.

However, Philippa, brings her canned heat under a heavy influence of 70s, 80s and 90s jazz funk. Philippa Healey is what some might class a musician’s musician, though we suspect the public will soon become aware of this new genie in a bottle. Highly revered among her peers, an Oxford University music graduate & West End leading lady who started life as a classical pianist and opera singer at the highly competitive Chetham’s School Of Music, Philippa developed – not only as a singer and pianist – but also composer & arranger who was lured by the chance to star in the West End’s record-breaking London production of ‘Les Miserables’. Philippa went on to develop her own Vegas-style cabaret show and has headlined relentlessly all over the globe for the world’s most luxurious cruise lines.

As she enters this new phase in her musical journey she returns to original composition and her true passion of soul and funk, and in 2024 has begun to release her own music with a little help from the Jamiroquai rhythm section, which is where you’ll note the irrepressible sounds of Rob Harris (guitar), Paul Turner (bass), and Derrick McKenzie (drums); a.k.a the “Dream Team Of Funk” (as lovingly nicknamed by Philippa herself.) Honourable mention also goes to Hammond organ whizz-kid Liam Dunachie, a staunch favourite on the London jazz circuit, who delivers exquisite voice leading and additional harmonic colours. To quote Miss Healey: “The track was already sounding sublime in the studio…and then Liam just came in, and sprinkled magic fairy dust all over it in about 5 minutes flat. The Jamiroquai lads and I were in awe!”

We Speak Music

Toneyboi drops new single “No Scale”

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Emcee/Producer Toneyboi has re-emerged from a busy year (including work with Westside Gunn, Conway The Machine & Jae Skeese) to drop a new single.  “No Scale” Produced by ILL Tone (Elcamino, Lloyd Banks) is the first leak from the forthcoming LP, Patience Pays.  To drop on 11/27.

Listen to “No Scale”: https://on.soundcloud.com/JZY7s6q4mx4auwhk6

Patience Pays will be Toneyboi’s first release under the Piff Music Empire logo and features appearances by Jamal Gasol, Jae Skeese, Mickey Diamond, Napoleon Da Legend, L-Biz, DNTE, Gaine$, Skate Cobain, RoCook and Iyam.  In addition to ILL Tone’s work on the single, production is handled by Camouflage Monk, AGE, Nom, DNTE as well as Toneyboi himself.

With close to two decades in the game Toneyboi has been a fixture on the Buffalo, NY scene, coming up alongside Camouflage Monk, Daringer, Jae Skeese and others.  In addition to his own musical skills, he has contributed greatly to the region by throwing events under the ArtDealer name as well as providing engineering skills and live sound to the Griselda Records and Drumwork Music camps.

Earlier this year Toneyboi also released the Weekend At Toney’s EP, which is also available via all streaming platforms.

More Info: https://www.instagram.com/iamtoneyboi/

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