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Queen Bitch Shares Debut Single ‘Bones’

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Queen Bitch is the musical project by Irish music artist Róisín Bohan. Addressing the breadth of human experience, the songs touch on topics such as trauma, sexuality, doubt, suffering, and joy. The music blends rock, blues, and grunge, to mention a few genres, in empowering and inimitable ways.

A bold and deep voice, reminiscent of well-known stars Patti Smith, PJ Harvey, Karen O, and Siouxsie Sioux, Queen Bitch gives the stage and speakers a regal vibe, with guitar in hand. Enter into her realm and become a part of her growing army of devoted followers.

The debut single ‘Bones’ from Queen Bitch’s forthcoming self-titled debut album was released on the 27th of October. Through a shattering, cymbal, and guitar-heavy fury, the song is an upbeat celebration about mending, regaining one’s strength, and losing trust before finding great trust, beginning with a fierce scream! 

Róisín began writing ‘Bones’ in the middle of 2022. In January 2023, ‘Bones’ saw its first solo performance at an open mic night in Dublin with an acoustic guitar. The track was recorded in September at Beardfire Studios in Dublin, bringing the song to its full vision with a rock band as it was intended to be played. Al Quiff played drums, Rohan Healy played bass, Petri Visser played lead guitar, and Róisín Bohan sang and played guitar. The Beardfire producers, Rohan Healy, Al Quiff, and David Virgin, have collaborated on stage and in the studio with several artists over their decades-long careers in the music industry, including Nick Cave, INXS, RUNAH, Ailsha, All The Queen’s Horses, Patricia Lalor, Lloyd Cole, Leslie Dowdall, and many more.

The genre-blend of pop-rock, alternative-rock, and grunge mixes incredibly showcasing Queen Bitch’s signature sound on record. The hard-hitting production on ‘Bones’ features electric guitar, bass, and drums, along with gravelly and raspy vocals. The energised instrumentation paired with victorious vocals draws the listener in immediately.

On the song, Róisín says,

“The main hook line ‘My bones, my bones won’t break anymore’, I think comes from the adage ‘Sticks and stones may break my bones but words will never hurt me’. The song is kind of suggesting that this isn’t true.”

Queen Bitch is paving her way into the music scene with her promising sound. Watch Queen Bitch’s ascent as she dominates the rock scene through her captivating releases and electrifying live performances through 2024 and beyond.

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Waz-u drops ambient gem ‘Vermillion’ ft. Lilyg

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London-based multi-instrumentalist and producer Waz-u returns with his second album, Preludes: Dusk Psalms, set for release on 16 May 2025 via independent label Biodiversity. The 15-track record further refines the artistic depth of his debut, blending electronic textures and classical compositional techniques in an intricate, immersive listening experience.

Ahead of the album release, Waz-u is dropping an exclusive vocal version of ‘Vermillion: G Major’ from the album, accompanied by its original instrumental version. ‘Vermillion’ with Lilyg will be released on 18 April 2025, evoking intimate indie-folk and pop and follows the release of a vocal version of ‘Lament’ with Tom Norrington. ‘The singles are a way to give a voice to the atmosphere of the record and to lyrically encapsulate some of the themes explored,’ explains Waz-u. ‘Lily and Tom are good friends of mine and have both been listening to early iterations of these preludes – it felt right to involve them directly on this record.’

‘Preludes: Dusk Psalms’ marks a new branch of Waz-u’s emerging sound, guided by the duality of tradition and innovation. Combining his musical roots in early ‘90s dub techno and classical music, the album weaves carefully layered synthesizers and electronics to evoke the ambience of sacred music — from the gentle timbres of a choir or an organ to the quiet, open, and reverberating spaces of a church. Also featured throughout the album is experimental musician G9 LUV, who creates textures and drones by bowing his bass guitar, resulting in cello-like sounds. The release follows Waz-u’s 2024 debut LP, Prayer For Dawn, which merged dub, techno, and electronica in an exploration of the ritualistic traditions associated with both organized religion and dance.

Bringing the album’s themes to life, Waz-u will celebrate the release of Preludes: Dusk Psalms with a special performance at Our Holy Redeemer in Clerkenwell, London on 14 May 2025. Set against the church’s resonant acoustics, the event will feature live performance arrangements, including a choir, with further details to be announced soon.

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