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RETROFITTED Return With Phenomenal New Release “Never Ending Party”

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RETROFITTED are a group of six artists (OJ Stinz, BFlow, YBE, OKJ, Pax Armani, and Big Carlo) with diverse backgrounds and tastes based in Arizona, US. With that in mind, the music they produce covers a wide range of styles rooted in hip-hop. “This allows each song to be a unique listening experience and ensures that no matter your taste in music or your mood, we will have a song ‘retrofitted’ to your desires”, says OJ Stinz. Although they only started releasing music as a group earlier this year, they’ve already got off to a flying start and made a strong impression after several singles and EPs over the last few months.

Keen to keep the ball rolling, the group have just unveiled their brilliant new single, “Never Ending Party”. The track is a great example of their versatile sound, with its incorporation of hip-hop, electro and pop recalling the likes of The Weeknd, Tyler, The Creator and Childish Gambino. Standing out immediately with a dark and retro dance soundscape, a mesmerising hook and the group’s dynamic vocals, it’s a must-hear track and another sublime entry into their early discography. The song is enhanced further by an equally impressive accompanying music video directed by Connar Tandy.

Speaking more on the new release, OJ Stinz says, “This was one of the first beats I fell in love with starting off, but I could never figure out what I wanted to do with it. I would listen to it for hours on repeat, but the words just weren’t coming. One night I was reflecting on the feeling of being stuck in a cycle of partying religiously to the point that it wasn’t even fun anymore and then it all materialised.

“This song in many ways is like my baby. It started off as just an idea and then became fleshed out in the writing process. It flourished in the studio while recording and finally was fully visualised via the music video. As a whole it serves as a bright spot in one of the darker times in both BFlow’s and my life.” “Never Ending Party” is available to buy/stream now on all platforms.

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We Speak Music

Michele Ducci teases new album with uplifting indie single ‘Woman Like You’

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Michele Ducci has unveiled the second single, ‘Woman Like You’, from his forthcoming album and animated film ‘Snail in the Clouds’.

‘Woman Like You’ pairs bright distorted electric guitar with an electronic drumbeat, adding in Ducci’s soulful vocals and a catchy uplifting chorus with Letizia Mandoleisi’s sweet vocal harmonies. A vintage organ pedalboard operated by Ducci simultaneously generates chords, bass and rhythm, like a one-man band. Shane Kennedy (Girl in the Year Above) joins in on guitar. Simon Milner (Is Tropical, Ysing) recorded and produced the track at his 4am Studios in London.

The album and film tell the story of a planet called ‘Snail’, inhabited by hybrids – primarily a mixture between scorpions, snails and humans – who lead a life according to the style of Pythagoras, devoted to music. There is also a cloud man named Agostos, a writer of musical operettas, who together with a talking smoke machine called Doctor Subtilis, begins to kill all hybrids, targeting in particular the hybrid musician Diodoros and his band, in an effort to steal the ark of melodies, an ancient ship that allows the whole planet to survive with music and joy.

The video for the single, created and animated by Ducci and Mandoleisi, delves further into the realm of planet ‘Snail’:

Says Ducci, “The ark of melodies, after various attempts, finally starts to work and fly in the planet Snail, while the shady Doc. Sub. and Agostos, with their platoon of soldiers made of foggy smoke, spy the miracle, planning to steal the ark for their evil and tyrannical purposes.


About the track, Michele says, I wrote this song for my love Letizia. Love seen from the mind is the sound we make. Sound is the love of matter.

We used a Technics synthesizer organ from a flea market. I tried to find a mood that was right for the song and I started using the bass of the pedal board together with the synth and the drums, and it was magical to hear the song reveal itself all coming from a single instrument. Leti was singing with me and we recorded everything live in one shot. Then we made Shane do the guitar flight, as if he came out of the window. The idea was to maintain disproportions, guitar thrust and synth drum thinness a la Haroumi Hosono, so as to create an estrangement, but naturally: it’s about how I listen, with close up something that captures me in its nuance as element of a larger orchestra somewhere. I’m glad we decided in the studio with Simon to use the layers of arrangement as the close-ups in the cinema; they look like strange enlargements that perch on parts of a mutated orchestra. I’m happy to come back with this love song at a time when everything seems to opt, even my labor in managing the flows of selfishness that have poured out on me while doing this album, for the sound of war. I’m here happy to be able to say that the sound of love always wins as did for me. Snail in the clouds is one of the most important works in my life and I am glad to start from pure love for this album that is my son.

The album and full-length film will be released on the 5th of June on Monotreme Records.

Michele and Letizia’s previous musical short film, ‘The Great Book of Nature’, is an official selection for the 2026 Venice Shorts Film Festival.

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