We Speak Actors
Spotlight on Actor and Voice-Over Artist Mohsen Ghaffari

Mohsen Ghaffari has earned recognition in both theatre and voice-over work, most notably for his role in Phaedra at the National Theatre, directed by Simon Stone. In this production, he worked alongside a remarkable cast that included Janet McTeer, Assaad Bouab, Paul Chahidi, Mackenzie Davis, and John MacMillan. During the pandemic, Mohsen captivated audiences as Bottom and Egeus in the Australian Shakespeare Company’s A Midsummer Night’s Dream at Kew Gardens. A British-Iranian actor fluent in English, Farsi, and Dari, Mohsen skillfully performs across all three languages.
Mohsen, can you share how your acting career began?
I started out in Iran, performing in theatre productions. But when I moved to London in 2010, everything changed. I didn’t speak any English at the time, but I was determined to break into the UK theatre scene. I sent over 120 emails to various theatre companies and individuals, asking for an opportunity. Unsurprisingly, no one responded! Looking back, I don’t blame them—I had no idea what I’d written in those emails. My English was so poor that even I couldn’t understand what I was asking for! (laughs) But then, out of the blue, I heard back from the Almeida Theatre. They invited me to join their Young Friends of the Almeida programme. I was ecstatic.
“I attended countless workshops there, and for a while, the Almeida became my second home. I learned so much and I’m deeply grateful for that experience.”

Who were your early inspirations in acting?
Growing up in Iran, I was fascinated by Hollywood films. Actors like Marlon Brando, Al Pacino, and Robert De Niro were huge inspirations for me. But I was also motivated by those who discouraged me from pursuing acting—especially my parents. I remember a family friend, an actor and director himself, telling my father not to encourage me to become an actor. He said the industry was unstable and full of uncertainty. I remember thinking, If it’s not worth pursuing, why does he continue to work in it? (laughs) And here I am today, doing exactly what I love. I wouldn’t change it for the world.
What has been your most memorable project to date?
That’s a difficult question. I’ve truly enjoyed every project I’ve worked on, each offering its own unique experience. However, if I had to choose, I’d say last year’s production of Phaedra at the National Theatre stands out. “
“Working with Simon Stone and such a talented cast was an unforgettable experience.”
“Simon’s approach to theatre-making was transformative for me as an actor, and it’s an experience I will always hold dear.
Do you have any behind-the-scenes stories you can share?
During the pandemic, I performed in A Midsummer Night’s Dream at Kew Gardens with the Australian Shakespeare Company. It was an outdoor performance, and we had a small tent backstage for costume changes. One evening, while I was getting changed, a woman entered the tent and asked to speak with me. I had to laugh and say, “Let me finish dressing first!” (laughs) When I stepped out, she was in tears. She told me she hadn’t laughed in almost two years due to the pandemic and everything it brought with it. But my performance that evening made her laugh so much that it helped lift the emotional weight she’d been carrying. It was an incredibly touching moment that reminded me of the true power of theatre and why I do this work.
You’ve also worked in television. How does that compare to your stage work?
The main difference is in the scale of the performance. In theatre, everything—your voice, your movements—has to be bigger to reach the audience. But with TV and film, the camera does a lot of the work for you, so you can be more subtle. However, at the end of the day, whether it’s on stage or on screen, it’s all about storytelling. The medium may differ, but the essence of the work stays the same for me.
Featured photo credit: Jake Bush
We Speak Actors
Michael William Freeman on his exciting role in new Netflix medical series, ‘Pulse’

American actor Michael William Freeman has appeared in many hit shows, but is perhaps best known for playing militia member Blake Sarno in ‘Fear The Walking Dead’. Now he’s swapped the zombie apocalypse for a medical procedural, playing the character of Glenn Vogel in the new Netflix series ‘Pulse’, which follows the personal and professional lives of doctors and staff at a busy Miami trauma centre. We talk to Michael about working with his idols, the joys of collaboration, and why ‘Pulse’ feels like it comes from the golden age of TV.
Tell us about your experience working on the new Netflix series ‘Pulse’?
“It was epic. I had such an amazing time on this show, and it was really great to work with Netflix. The very first day I stepped on set, the energy was palpable. Everyone was just so happy and grateful to be part of this project – it really elevated the whole process.”
“Sometimes work can feel like a grind, but this show was a real pleasure. It was such a warm and welcoming environment, and I know that is reflected on screen.”
What was it like working with series creator Zoe Robyn and co-showrunner Carlton Cuse?
“Man, what an absolute dream! Zoe is such a brilliant talent, her writing is so rich and compelling. And Carlton is a master of his craft, an absolute legend in the industry. Yet they both approach the work with zero pretension. It was inspiring and heartening to be around them both. I think it was the most supportive, collaborative environment I’ve ever worked in; it really felt like a family on set. I’d do anything for those two.”

This is Netflix’s first medical drama – did you enjoy working in this genre?
“I’ve done medical procedurals before, which are fun, but this is something different. The heart of this show is the relationships. Don’t get me wrong, there’s plenty of action and excitement, but what really drives the story are the people. It feels like a show from the golden age of television, something like ‘ER’, it’s so thoughtfully crafted and executed.”
“The way all the stories intersect and collide is really special, I’ve never been a part of anything quite like it. I’m really excited for people to see the show, I think they’re going to love it.”
Who will enjoy watching this show?
“There’s something for everyone! There’s romance, action, drama… even a few laughs. It’s stunning work from Zoe, Carlton and the whole cast and crew. Seriously, every department killed it: from hair and makeup, to wardrobe, to camera, everyone really shines. And I know the audience will appreciate the artistry and craftsmanship. Plus it’s such a fun and vivid world to explore.”

You’ve acted in so many hit TV series and films; which projects have been the most pivotal for you?
“‘In Time’ was my first big studio movie and the first time I saw myself on a big screen in a movie theatre. So that was a pivotal job for me and I certainly learned a lot from that experience. ‘Doll & Em’ on HBO was another one. Getting to act with Chloë Sevigny and be directed by Azazel Jacobs was momentous; I was such a big fan of them both and working with them exceeded my expectations. But most people recognise me from ‘Fear The Walking Dead’ – that show definitely raised my visibility and had a lasting impact on my career. I’m really grateful to be a part of that franchise. And now I can add ‘Pulse’ to that list.”
All episodes of ‘Pulse’ are available to stream on Netflix now.\
Featured photo credit: Netflix
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