We Speak Music
The Violet Mine Share New Album ‘White Night’
When up is down and black is white, how do you make sense of what makes no sense? Maintaining equanimity, innocence, and authenticity within a world of deep fakes, media manipulation, and 24-hour news is what inspired many of the ten songs on The Violet Mine’s new album White Night. Slated for release on February 16, 2024, White Night is a collaboration between singer-songwriter, Meredith Minogue and songwriter-guitarist, Jim Barry along with an all-star cast of local New York City musicians who have collaborated with the duo for years.
On their latest compilation, the band delivers their eclectic blend of alternative, melodic indie-folk and rock and roll. White Night is an atmospheric tapestry with splashes of new wave and dream pop that explores themes of vulnerability, exploitation, and faith.
The duo approaches the recording process like painting a picture. The recordings start as live band performances in the studio that are then layered with textures of other instruments to create the perfect environment for the lyrics to shine and tell the story of the song.
The opener, Perfect Host, begins with an organ swell and acoustic guitar sending an innocent songwriter into the uncertain world of the music business. The frantic, off-kilter rhythms of Some Say are reminiscent of a Punch & Judy puppet show going off the rails. Air Ride’s sleek stylized rock tells the story of a paranoid, panic-stricken traveler and a slick hijacker intersecting during the golden age of air travel. So, the Devil, an apocalyptic rainstorm drenched in a harmonium drone, closes the album.
Speaking of the focus track, The Violet Mine comments, “‘Do No Harm’ was written and recorded at home on the first day of the COVID lockdown in New York. The lyrics focus on the historical character of the plague doctor. These unqualified doctors traveled from town to town grifting desperate people who were dying from the disease. Their appearance, which included a primitive “respirator” fashioned from a beak stuffed with herbs to ward off bad air, signaled to townspeople that death was near.”
Michele Ducci has unveiled the second single, ‘Woman Like You’, from his forthcoming album and animated film ‘Snail in the Clouds’.
‘Woman Like You’ pairs bright distorted electric guitar with an electronic drumbeat, adding in Ducci’s soulful vocals and a catchy uplifting chorus with Letizia Mandoleisi’s sweet vocal harmonies. A vintage organ pedalboard operated by Ducci simultaneously generates chords, bass and rhythm, like a one-man band. Shane Kennedy (Girl in the Year Above) joins in on guitar. Simon Milner (Is Tropical, Ysing) recorded and produced the track at his 4am Studios in London.
The album and film tell the story of a planet called ‘Snail’, inhabited by hybrids – primarily a mixture between scorpions, snails and humans – who lead a life according to the style of Pythagoras, devoted to music. There is also a cloud man named Agostos, a writer of musical operettas, who together with a talking smoke machine called Doctor Subtilis, begins to kill all hybrids, targeting in particular the hybrid musician Diodoros and his band, in an effort to steal the ark of melodies, an ancient ship that allows the whole planet to survive with music and joy.
The video for the single, created and animated by Ducci and Mandoleisi, delves further into the realm of planet ‘Snail’:
Says Ducci, “The ark of melodies, after various attempts, finally starts to work and fly in the planet Snail, while the shady Doc. Sub. and Agostos, with their platoon of soldiers made of foggy smoke, spy the miracle, planning to steal the ark for their evil and tyrannical purposes.”
About the track, Michele says, “I wrote this song for my love Letizia. Love seen from the mind is the sound we make. Sound is the love of matter.
We used a Technics synthesizer organ from a flea market. I tried to find a mood that was right for the song and I started using the bass of the pedal board together with the synth and the drums, and it was magical to hear the song reveal itself all coming from a single instrument. Leti was singing with me and we recorded everything live in one shot. Then we made Shane do the guitar flight, as if he came out of the window. The idea was to maintain disproportions, guitar thrust and synth drum thinness a la Haroumi Hosono, so as to create an estrangement, but naturally: it’s about how I listen, with close up something that captures me in its nuance as element of a larger orchestra somewhere. I’m glad we decided in the studio with Simon to use the layers of arrangement as the close-ups in the cinema; they look like strange enlargements that perch on parts of a mutated orchestra. I’m happy to come back with this love song at a time when everything seems to opt, even my labor in managing the flows of selfishness that have poured out on me while doing this album, for the sound of war. I’m here happy to be able to say that the sound of love always wins as did for me. Snail in the clouds is one of the most important works in my life and I am glad to start from pure love for this album that is my son.”
The album and full-length film will be released on the 5th of June on Monotreme Records.
Michele and Letizia’s previous musical short film, ‘The Great Book of Nature’, is an official selection for the 2026 Venice Shorts Film Festival.
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