We Speak Indie Artist
Yilly Ruel Reveals Incredible New Single “God Bless The Kid”

Yilly Ruel, the talented Angolan UK-based rapper and songwriter renowned for his unique blend of hip-hop/rap and African percussion rhythms, is captivating audiences with his exhilarating sound experience. Having already achieved a significant milestone by securing third place among 10,000 entries in the prestigious Open Mic UK 2019 competition at the iconic O2 Arena in London, Yilly is set to leave an indelible mark on the global music scene.
With unwavering dedication to his craft, he aims to share his inspiring message through soul-stirring tracks such as his brand-new single, “God Bless The Kid”. Standing out with its fusion of infectious rhythms, African influences and impressive lyricism, the track serves as a testament to Yilly’s artistic journey and the progress in life he has made and will continue to make.
Speaking further on the new single, Yilly says, “It is the audio bio of my artistic journey. I always felt the need to write a song about a new chapter of my life, and ‘God Bless The Kid’ represents that. This is my sound, my roots and my goals. I am aiming where I want to be and asking my parents to just pray and believe in the process as my journey progresses. There is a line where I say in Portuguese, ‘Não compreendes eu nasci no beco, até tinha teto, probreza aqui perto desse preto’, which is explaining that you won’t understand where I came from. I saw poverty around me, small house – at least I had a roof, but it was not easy, so this song represents the narrative of my life that I am about to change.”
Yilly’s musical identity is deeply rooted in his Angolan heritage, which he proudly showcases on “God Bless The Kid”. The track features the remarkable talents of several musicians from Angola – guitarist Rubson Chipopa, pianist Edmilson and producer Frenchie, who all lend their skills to create a taste of Angolan culture.
As Yilly Ruel continues to evolve as an artist, he aims to inspire others to embark on their own transformative journeys. While he never forgets his roots, he is ready to share his unique vision and deliver more compelling music to the world. “God Bless The Kid” is available to buy/stream now on all platforms: https://li.sten.to/godblessthekid.
Keep up to date with the latest from Yilly Ruel:
We Speak Indie Artist
Marz Starlife Makes A Striking First Impression With Healing

Every once in a while, a debut comes along that doesn’t just introduce an artist – it reveals a soul. Marz Starlife’s first EP, Healing, is exactly that. It’s raw, it’s heartfelt, and it doesn’t pretend to have everything figured out. Instead, it leans into the messiness of real life – the mistakes, the heartbreak, the isolation – and tries to make sense of it all through music. Born in Jamaica, raised in the UK, and now back on the island, Marz brings a cross-cultural perspective to his storytelling, but at the heart of Healing is something deeply human: the need to reckon with the past in order to move forward.
Across the project’s standout tracks, Marz doesn’t hold back. In Bad Memories, he opens up about years lost to incarceration, fractured relationships, and the weight of regret. “Spent four birthdays locked up, baby remember me please,” he raps, in a tone that’s both matter-of-fact and aching. The production stays subdued and moody, letting the lyrics breathe. There’s no glorification of the streets here, only reflection. He admits to being young and caught up in the chase for fast money, but he also shows growth, making it clear that he’s not the same person he once was. It’s a track that lingers, not because it tries to be flashy, but because it feels real.
The title track, Healing, is where everything clicks. Marz taps into something almost spiritual as he raps, “I turn pain into power, darkness to light.” The song is layered with poetic lines and subtle emotional shifts, balancing toughness with tenderness. There’s a determination to rise above, even when the scars still sting. He reflects on his upbringing, his time in the streets, and the inner battles he continues to fight. “No shrink can understand how I’m feeling,” he says, and honestly, it’s hard not to believe him. The pain here is too specific, too lived-in. But instead of letting it swallow him, he uses it to fuel something greater.
What’s refreshing about Healing is that it doesn’t try to fit neatly into any one genre or narrative. Marz blends elements of UK hip-hop, Jamaican rhythm, and emotional rap into something that feels uniquely his own. He’s not here to be the loudest or the flashiest; he’s here to be honest. And in a world full of over-produced, over-polished music, that honesty stands out.
With Healing, Marz Starlife has given us more than a debut; he’s given us a mirror into his journey, and maybe even our own. Whether you’ve lived through similar struggles or are just someone who appreciates music with depth and heart, this EP is worth your time. It’s a reminder that healing isn’t linear, but it’s possible, and that sometimes telling your story is the most powerful thing you can do.
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