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Bookie. Drops Debut EP “ENDLESS”

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Bookie. keeps the momentum going and caps off the summer with the release of his debut EP, “ENDLESS.” Bookie. has been on fire with his non-stop releases this year. He has already released five singles this year, and he now returns with a six-track EP that is chock full of bangers.

“ENDLESS” kicks off with the hard-hitting record, “NOWHERE.” The song starts off with a jazzy sample, then drops into a bassy, haunting sound. The vibey track has a Yeat-esque sound to it. The EP then moves to track two, “MAKE IT HAPPEN.” “MAKE IT HAPPEN” brandishes a more Melodic Rap, Travis Scott sort of sound. The song is seemingly about trying to get together with a love interest. “POSSESSION” is up next, and Bookie. further demonstrates his versatility. He lets his lyricism shine on “POSSESSION.” The record can almost be seen as two songs as the song completely flips halfway through. The song features rising star Maddmax. Track four, “SHADY,” is a bouncy record that has a very catchy hook. The penultimate song, “AIRED OUT,” has a similar feel to “SHADY.” Both records are ones that are meant to be played with speakers on full blast and bass boomin’. Even though it is the end of the EP, “FROM THE START,” is a great closer. It slows the EP down and has an emotive feel to it.

Since his debut in 2021, Bookie. has been consistent with his releases and providing listeners with fire tracks. The “ENDLESS” EP is no different. The six-track project stays hot from start to finish. Bookie. really didn’t mess around with his first EP. Put “ENDLESS” on an endless loop.

Follow Bookie.: @bookie1of1

This review was made possible by SubmitHub.

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Malhar Talwalkar Releases Award-Winning Short Film Pink Trees, Exploring Addiction, Recovery and Survival in Los Angeles

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Director and cinematographer Malhar Talwalkar presents Pink Trees, a compelling short film that takes an intimate and unflinching look at addiction, recovery, poverty, and survival in Los Angeles. Through the story of a recovering addict struggling to stay clean while living in a temporary housing motel, Talwalkar explores the difficult realities faced by individuals attempting to rebuild their lives in challenging circumstances.

Pink Trees follows Matthew “Job” Smith, a recovering addict battling for survival while living in a temporary housing motel surrounded by the harsh realities of urban poverty and crime. His journey reflects the instability and uncertainty that can accompany addiction recovery, particularly when individuals are attempting to overcome substance abuse without the security of stable housing and a supportive environment.

Rather than portraying recovery as a straightforward journey, Pink Trees examines the complicated circumstances that can influence an individual’s ability to remain sober. The film asks important questions about personal responsibility, environment, social institutions, and the systems that surround people struggling with addiction.

“With this film I tried to tackle the shaky and uncertain road of addiction recovery,” says Talwalkar. “My personal history with substance abuse and addiction made me keen to analyze how various individuals, based on their circumstances, deal with addiction and recovery and how much role institutions play in one’s goal to stay clean.”

Talwalkar’s personal connection to the subject matter brings an added layer of authenticity to Pink Trees. Instead of reducing addiction to a single cause or experience, the film considers the different circumstances that can shape an individual’s recovery and the challenges that can make staying clean an ongoing battle.

The short film has already earned recognition across the independent film festival circuit, receiving awards and honors from Indie Short Fest, Indie X Film Fest, LA Indies, New York International Film Awards™ (NYIFA), San Diego Movie Awards, Chicago Shorts, Latitude Film Awards, Independent Shorts Awards International Film Festival, Hollywood International Indie Film & Screenplay Awards, and Los Angeles Film Awards.

These accolades highlight the film’s growing impact within the independent filmmaking community and its ability to connect with festival audiences and industry professionals through its emotionally grounded storytelling.

At the center of Pink Trees is a question that extends beyond addiction itself: What does it really take for someone to stay clean when the circumstances around them make recovery so difficult? By placing Matthew “Job” Smith within an environment shaped by poverty, crime, and instability, Talwalkar invites audiences to look beyond stereotypes and consider the human and institutional factors that influence recovery.

Talwalkar is a Director and Cinematographer who graduated in the MFA Filmmaking Program at the New York Film Academy in Burbank, California. His work reflects a passion for telling meaningful stories that explore complex human experiences and socially relevant issues.

With Pink Trees, Talwalkar delivers more than a story about addiction. He creates a portrait of a person fighting to survive, recover, and find a path forward in an environment where simply staying clean can become a daily struggle.

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