We Speak Music
Lee Mendelson Film Productions Celebrates 75 Years of Vince Guaraldi with Exclusive Record Store Day 2026 “Baseball & Glove” Soundtrack Release
Fresh off the success of Be My Valentine, Charlie Brown, Lee Mendelson Film Productions is continuing its celebration of Vince Guaraldi’s musical legacy with a standout Record Store Day 2026 exclusive: the soundtrack release of two beloved Peanuts® television specials, It’s Arbor Day, Charlie Brown and Charlie Brown’s All Stars!. The special Record Store Day edition arrives April 18, 2026 at participating stores.
This collectible “Baseball & Glove” edition is exactly the kind of thing fans and vinyl collectors go nuts for. It includes two uniquely designed 45 RPM records packaged together in a PVC gatefold: a 10-inch clear “baseball” LP of It’s Arbor Day, Charlie Brown and a 12-inch brown die-cut glove-shaped LP of Charlie Brown’s All Stars!. The release also includes a 6-page tri-fold insert with artwork from the specials and liner notes by Sean Mendelson, Jason Mendelson, and Derrick Bang, author of Vince Guaraldi at the Piano.
The release marks the 50th anniversary of It’s Arbor Day, Charlie Brown and the 60th anniversary of Charlie Brown’s All Stars!, presenting complete scores that frame the first decade of Peanuts® television music. Charlie Brown’s All Stars!originally aired June 8, 1966 as the second prime-time Peanuts® special after A Charlie Brown Christmas, while It’s Arbor Day, Charlie Brown aired March 16, 1976 as Guaraldi’s 15th and final Peanuts® special.
There’s also real emotional weight behind this release. Arbor Day contains the final recordings by Vince Guaraldi, recorded on February 6, 1976, the day he died at age 47 in Menlo Park, California. That alone gives the set a kind of gravity beyond nostalgia. It’s not just a reissue. It’s a preservation piece.
Charlie Brown’s All Stars! features performances by the Vince Guaraldi Sextet: Vince Guaraldi on piano, Eugene “Puzzy” Firth on bass, Eddie Duran on guitar, John Coppola and Frank Snow on trumpet, and Lee Charlton on drums. The score is presented in seven tracks, with some selections restored from 35mm negative soundtrack tape. It’s Arbor Day, Charlie Brown features the Vince Guaraldi Trio: Guaraldi on piano, Seward McCain on bass, and Jim Zimmerman on drums. That “baseball” LP includes 14 tracks, among them “Young Man’s Fancy,” “Jay Sterling Morton Jazz,” “Sprinkle Your Bird,” “Rain, Rain, Go Away (Rain, Gentle Rain),” and “Happy Arbor Day, Charlie Brown.”
The production side is as lovingly handled as the music itself. Clark Germain mixed Arbor Day at WonderWorld Studio, while Vinson Hudson restored and mastered the recordings. Sean Mendelson and Jason Mendelson produced the release.
And there’s a nice environmental angle here, too. The records are pressed on bio-attributed vinyl said to reduce carbon footprint by roughly 90% compared with standard LP manufacturing. The packaging uses sustainably forested paper and recycled materials, and in partnership with the Arbor Day Foundation, Lee Mendelson Film Productions says it will plant one tree for every copy sold in 2026, with a minimum commitment of 12,000 trees.
For longtime Peanuts® fans, jazz lovers, and serious soundtrack collectors, this one feels less like a novelty and more like an event. It celebrates two classic specials, honors one of the most distinctive composers ever connected to animation, and packages it all in a format that actually feels worthy of the music.
Release Information
Record Store Day Exclusive: April 18, 2026
The official website for Lee Mendelson Film Productions may be found at https://www.mendelsonproductions.com
We Speak Music
BEST BAND invite you into their bizarre and surreal punk world with new album ‘The People’s Cub’
Sometimes London based three-piece Best Band’s band name genuinely angers people and they think that the band are being cocky and are exclaiming that they are the ‘best band’ ever created. However, the name came about after drummer Simon and guitarist Richard were inspired both personally and creatively with the goal to make the ‘best band’ that they possibly could.
The pair first met as members of improvised band ‘Improvisi’ and then they formed ‘Baffy’, a surreal band with a dada approach and a failed musical. Then came punk / free jazz band ‘Madchen 84’ and instrumental / experimental project ‘Stan Dingwater’. ‘Best Band’, however is the evolution of these previous incarnations, with the name being a triumphant marker of Simon and Richard’s journey to date.
“It was always a dream to do this- the “best band” that we could make”, explains Simon. “After failing many times to try and find singers and band members for all the cool instrumentals Richard makes, eventually after some debating and persuasion, I just said, “Fuck it, I’ll sing and put poems to it”, which makes things easier for everyone. We are finally living our dream, with also Cai, who was the ONLY person to answer our advert for bassist”, he furtheradds.
With their drummer also being their singer, Best Band have an unconventional and chaotic presence, both live and in the studio. The three members also span three different generations: one being from Gen Z, one being a millennial and one being from Gen X. It’s an unlikely combination that somehow works awesomely and has given birth to two albums ‘Life as a Baby’ (2024) and ‘Go In Rooms’ (2025), with the third, ‘The Peoples Cub’, now ready to be unveiled.
Musically, Best Band are influenced by post punk, disco and drone rock methods and emerge as an intoxicating blend of outsider pop / avant punk, groove rock, pub rock and weird pop which they themselves describe as ‘Zolo dada no-wave avant bogrock’. The tracks on the ‘The People’s Cub’ all have a looping bassline to make a sort of hypnotizing repetition, instead of conventional verse-chorus-verse changes, which the band find more interesting and fun to play. The People’s Cub himself is a quasi-political figure, with many of the tracks on the album involving creature characters. There’s a flea, a hedgehog, voles, owls, vultures and beasts.
Album opening track and first single, ‘Broken Coast’ is a scrappy blast of energy that is both strangely catchy and weirdly poetic in its own eccentric way. The track is about personal legacies, ideals, beliefs and opinions and humans wanting to be perceived / remembered in certain ways, then that being juxtaposed with not being able to get out of bed in the morning due to depression. The band use a flea as a metaphor for believing in an idea of who you are and how you’re perceived/remembered, and your integrity, beliefs and ideals. In the song, the flea is eventually killedas the band break free from living up to any imagined idea of themselves and the created self.
Elsewhere on the album, ‘Boghouse’ is an ode to the lower ‘toilet venue’ end of the London music scene, describing all the little events, actions and intentions of any small rock band playing in Boghouses. It features wailing guitar solos all over the track, as a tongue-in-cheek homage to many of the bands Best Band have played with over the years on the circuit.The titletrack ‘The People’s Cub’ is an off kilter discordant yet cuddly political satire featuring the main character and mascot of the album. ‘The People’s Cub’ is an MP / Mayor but is also a little cub so he needs to stand on a tub to make speeches and he cuts the ribbon on new a village pub/cultural hub with his little furry stub.
Overall, the record is a bizarre and surreal journey through Best Band’s own disturbed inner psyche, set within erratic fuzzy rock styles that veer between 70s / 80s punk and 90s lo-fi indie worlds. With its offbeat themes of psychosis, unironic irony, modernity, depression, pathetic love, street nomadism, smelting, the afterlife, bus journeys, dread and defiance, ‘The People’s Cub’ is an excellently odd and candidly potent soundtrack to the times in which we all now live.
Catch Best Band playing the following shows in London:
27th May Dublin Castle, Camden
30th May Dash The Henge, Camberwell (early 3pm show)
17th June- Old Dispensary, Camberwell
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