We Speak Music
PHYL4LYPH Honors the Ghanaian Drill Legacy with His Electrifying “GH¢” Cover
Ghana’s Rising drill artist PHYL4LYPH is here to make a statement with his latest release, “GH¢”, a drill cover of “GBP” by Central Cee and 21 Savage. The track isn’t just a cover—it’s a continuation of Ghana’s unique drill movement, blending raw storytelling with the signature energy of the streets.
Ghanaian drill, popularly known as Asakaa, has gained international recognition thanks to the Asakaa Boys, who pioneered the movement and put Kumerica on the map. PHYL4LYPH builds on that legacy with “GH¢”, bringing his own style and experience to the sound. The song speaks to the journey of a young hustler navigating the streets, the music industry, and life, all while pushing Ghana’s drill culture forward.
“This is more than just a track—it’s part of the movement,” says PHYL4LYPH. “The Asakaa Boys laid the foundation, and now it’s up to us to keep pushing Ghanaian drill to the world. ‘GH¢’ represents our sound, our hustle, and our unique flow.”
With “GH¢”, PHYL4LYPH is setting the stage for even bigger releases.
Fans can stream “GH¢” on Spotify, Apple Music, Audiomack, Boomplay, and YouTube.
We Speak Music
Naomi Aguilera casts her spell with her new single BB ILY
Two years ago, Naomi Aguilera walked onto my radar with EGO, an infectious soulful pop debut that made it impossible not to move. Fast forward to her debut EP Mosaïques, and it was clear she wasn’t just passing through. Personal, colorful, rooted in her Spanish heritage & Brussels upbringing, it even earned her a spot as Apple Music Benelux’s Up Next artist!
Now she’s back with BB ILY, marking the start of a new era. The bilingual single — French and English — is built around one of the most universal human experiences: that special connection that doesn’t need translation. Where EGO invited you to forget your ex on the dancefloor, BB ILY pulls you somewhere more intimate: with sultry beats courtesy of Turana, it’s a dance where gestures, whispers, sighs and the sound of a voice matters more than the words that come out of it… It’s sensual, a little mystical, and entirely her own.
First taste of Naomi Aguilera’s upcoming project Ojalá, due in 2027, it feels effortlessly catchy. This is the kind of track that casts its spell quietly, with interesting and unexpected rhythmic shifts in the verses, and a delicious chorus that lodges itself in your head before you even notice. By the time you do, it’s too late. But you won’t find me complaining about it!
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