We Speak Music
PHYL4LYPH Honors the Ghanaian Drill Legacy with His Electrifying “GH¢” Cover
Ghana’s Rising drill artist PHYL4LYPH is here to make a statement with his latest release, “GH¢”, a drill cover of “GBP” by Central Cee and 21 Savage. The track isn’t just a cover—it’s a continuation of Ghana’s unique drill movement, blending raw storytelling with the signature energy of the streets.
Ghanaian drill, popularly known as Asakaa, has gained international recognition thanks to the Asakaa Boys, who pioneered the movement and put Kumerica on the map. PHYL4LYPH builds on that legacy with “GH¢”, bringing his own style and experience to the sound. The song speaks to the journey of a young hustler navigating the streets, the music industry, and life, all while pushing Ghana’s drill culture forward.
“This is more than just a track—it’s part of the movement,” says PHYL4LYPH. “The Asakaa Boys laid the foundation, and now it’s up to us to keep pushing Ghanaian drill to the world. ‘GH¢’ represents our sound, our hustle, and our unique flow.”
With “GH¢”, PHYL4LYPH is setting the stage for even bigger releases.
Fans can stream “GH¢” on Spotify, Apple Music, Audiomack, Boomplay, and YouTube.
Some records ask to be heard. Do You Like Me Now? asks to be felt. Sakai’s debut EP is an elegant meditation on vulnerability, identity and emotional contradiction, unfolding across four songs that blur the boundaries between indie rock, soul, jazz and traditional Japanese musical influence. It is a release that favours atmosphere over excess, finding beauty in restraint while never sacrificing emotional impact.
The emotional core belongs to Marié Sakai, whose songwriting transforms deeply personal experiences into universally resonant narratives. Rather than presenting vulnerability as something to overcome, the EP embraces uncertainty as an essential part of human connection. Questions remain unanswered throughout, allowing listeners to inhabit the emotional spaces between certainty and doubt.
That openness extends to the music itself. “Orange Tree” stands as a quietly remarkable composition, inspired by an eighth century Japanese poem and enriched through the Hirajoshi scale and Marié’s return to the flute. The arrangement feels graceful without becoming delicate, balancing cultural heritage with contemporary alternative songwriting in a way that feels instinctive rather than self conscious.
The remaining songs each reveal different emotional textures. “Out” captures the internal friction between ambition and avoidance through expansive arrangements that continually shift beneath Marié’s expressive vocals. “Wanted” radiates quiet intimacy, its shimmering guitar harmonics adding warmth to an already affecting performance. The title track provides an emotionally satisfying conclusion, examining people pleasing and identity through dynamic instrumentation that builds naturally towards its memorable piano driven finale.
Recorded between Tiny Telephone Recording and Women’s Audio Mission, and brought together through Danielle Goldsmith’s spacious production, the EP possesses a tactile sense of place that complements its lyrical introspection. Do You Like Me Now? introduces Sakai not simply as accomplished musicians, but as thoughtful storytellers whose willingness to embrace complexity feels increasingly valuable within today’s alternative landscape.
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