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SATRE Releases New Folk Single “homebound”

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SATRE has just dropped his latest track, “Homebound,” and it’s an absolute gem. This rich, euphoric indie folk pop song perfectly captures that feeling of being with someone who feels like home. With upbeat guitars, banjos, pounding drums, and melancholic violins, SATRE’s husky voice takes you on a sun-soaked road trip with your favorite people. It’s heartwarming, uplifting, and impossible not to love!

If you’re a fan of The Lumineers or Mumford & Sons, this one is definitely for you. SATRE has timed “homebound” perfectly with the arrival of Spring, giving us a bright, sunny anthem to enjoy as the days get warmer. The rousing instrumental intro sets the stage for his soulful vocals, leading into a heartfelt chorus that will have you feeling every note.

Release after release, SATRE continues to impress with his range and versatility. He’s been making waves in the UK music scene, especially with his incredible street performances in central London, where he’s built a solid and growing fan base.

“homebound” is already creating a buzz with teasers on social media and live performances, and it’s easy to see why. SATRE’s new song is all about those special moments with people who feel like home, wrapped up in a beautifully crafted, feel-good tune.

Don’t miss out on this amazing track and stay tuned for more fantastic music from this talented artist.

Listen to “Homebound” below and let the good vibes roll!

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Dead Tooth Drops New Single ‘You Never Do Shit’

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In “You Never Do Shit,” Brooklyn’s Dead Tooth deliver a snarling, urgent post-punk single that distills their barbed energy into under four minutes of sharp-tongued wit and scuffed-up sonics. It’s a track that bristles with disdain—Zach Ellis’ vocal delivery is acidic, at times theatrical, and often more spoken than sung. There’s a punk rock immediacy here, but with the knowing wink of someone who’s watched the scene curdle and still wants to dance through the ashes.

The song began its life in a different medium—written for a fictional band on City on Fire—but the real-life iteration carries more weight. There’s a palpable satisfaction in Ellis’ decision to reclaim it, and that freedom seeps into every detail: the unkempt rhythm section, the jarring saxophone lines from John Stanesco, and the deliberate looseness that characterizes its structure.

Dead Tooth are at once participants and commentators in the culture they inhabit. Their songs are alive with noise, but also with intent—tracking the psychic hangover of nightlife, subcultural collapse, and underground scenes that burn bright and disappear too soon. Ellis’ lyrical observations land like tossed-off critiques, but underneath the smirk is something deeper, almost desperate: a desire for connection, even through chaos.

With their debut album looming, “You Never Do Shit” feels like a thesis statement. Not just of sound, but of ethos: reject slickness, embrace noise, tell the truth—even if it’s ugly. In a year when punk has mostly whispered or wandered, Dead Tooth has chosen to scream.

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