We Speak Entertainment
TAMAR BRAXTON ATTACKS DREAM MEMBER MELISSA SCHUMAN YOU’RE A THIRST BUCKET!!!
Tamar Braxton is slamming a member of the girl group Dream who claimed Tamar’s estranged husband abused her … Tamar thinks she’s a “thirst bucket” who is just out for attention.
Tamar set her sights on Melissa Schuman, who said Saturday Vincent Herbert verbally and emotionally abused her when she was 14, while recording for Dream. She says Herbert, who was an associate executive producer on the album, also forced her to lose weight.
Tamar says Vincent’s criticism is all part of “artist development,” noting Melissa had no complaints when Dream was selling millions of records. Tamar warns, “Don’t EVEN TRY to use our personal Family situation for attention!! All the greats had to do it, GAGA, Toni, myself … All had what was ARTIST DEVELOPMENT!!”
Tamar says, “OK … now here is what you WON’T be doiong thirst bucket!! I know u saw damn puffy MTB … the industry THEN was like bootcamp for ALL of us!”
FYI … Melissa also accused Nick Carter of raping her in 2002 … Nick says their encounter was mutual.
TMZ broke the story … Tamar got Vincent arrested Christmas Day after she says booze and jealousy led to him becoming verbally abusive. He was arrested for spousal assault. Nonetheless, she says they have a good relationship and are committed to co-parenting.
We Speak Entertainment
Cassidy Place Isn’t Guessing Anymore —Muse Proves She Knows Exactly Who She Is
Cassidy Place didn’t make Muse to test the waters. She made it to plant a flag — three tracks, no filler, zero hesitation. It’s the sound of an artist leaning all the way into her instincts and finally letting her aesthetic run the show: retro-pop shimmer, underground-club pulse, jazz-club intimacy, and that smoky Cassidy vocal that always feels like she’s letting you in on a secret.
Where most debut EPs feel like auditions, Muse feels like a statement. Small package, big personality.

Track One: “Take Me to the Bridge” — the late-night spark
The whole EP opens like a neon sign flickering on. “Take Me to the Bridge” has that throwback sophistication — a little disco, a little jazz, a little midnight mischief. Cassidy rides the groove like she grew up on vinyl and underground dance floors at the same time. It’s smooth, flirtatious, and confident in a way artists usually grow into years later.
Track Two: “Feel My Skin” — the slow-burn center
Here’s where she drops the temperature but somehow turns the heat up. “Feel My Skin” leans into texture — breathy vocals, minimalist production, a pulse that feels like someone whispering right behind your ear. It’s the emotional hinge of the EP, the moment where the character Cassidy’s building gets vulnerable, a little dangerous, and a lot more real.

Track Three: “Infatuation” — the restless release
“Infatuation” ties the entire EP together. It’s got the urgency, the tension, the edge. The track moves with the kind of energy you get when you’re right on the line between fantasy and impulse. Her vocal sits right at that sweet spot — expressive without ever losing control. It’s the payoff, the catharsis, and the moment you realize the EP wasn’t three singles… it was a carefully plotted emotional progression.
The Full Picture: A Three-Track Story About Desire
Muse works because Cassidy treats these songs like chapters, not singles. Together, they chart the arc of longing — the spark, the pull, the surrender. She blends vintage and modern in a way that feels intentional but never overdesigned. There’s a rawness under all the gloss that makes the EP breathe.
And while the run time is tight, nothing about the impact is small. Muse is the sound of an artist arriving — not loudly, but unmistakably.
If this is her first shot at defining herself, she’s already made the point:
Cassidy Place isn’t chasing a sound. She is one.
Steam Muse on Spotify here:
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