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TRAVIS GREENE HITS THE BILLBOARD GOSPEL AIRPLAY CHART THIS WEEK AT #1 WITH “YOU WAITED”

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RCA/Inspiration recording artist Travis Greene reached #1 this week, marking his third consecutive #1 single, on the Billboard Gospel Airplay Chart for his song, “You Waited.”  The chart-topping song is from Greene’s current album, CROSSOVER:  LIVE FROM MUSIC CITY, which also recently debuted at #1 on the Billboard Top Gospel Albums chart.
Greene has been nominated for two career Grammy Awards, two Billboard Music Awards, 13 Stellar Awards, three Dove Awards and one Soul Train Award.  This year at the 2017 Stellar Gospel Music Awards, he won in seven key categories, including “Song of the Year” (for “Made A Way,” which also hit #1 on the Hot Gospel Songs chart), “Male Vocalist of the Year,” “CD of the Year (The Hill, which also reached #1 on the Top Gospel Albums chart),” “Contemporary Male Vocalist of the Year,” “Contemporary CD of the Year,” “Recorded Music Packaging of the Year” and “Praise and Worship CD of the Year.”  In 2016, Billboard named him “Gospel Airplay Artist of the Year.” 
 
With 13 of its tracks recorded in 2017 at Skyville Live in Nashville, Tennessee, CROSSOVER: LIVE FROM MUSIC CITY features all original material, including two studio tracks, “Love Will Always Win” (co-written and produced by Travis with Jason Ingram and Paul Mayberry) and “Finally Found” (co-produced with Bernie Herms). 
 
Greene, who launched his recording career with THE MORE in 2007 – shares fresh material with eager audiences in CROSSOVER: LIVE FROM MUSIC CITY, for longtime and new fans alike to partake in an experience that captures the artist’s passion, excitement and charisma onstage — and his ability to reach hearts with the gospel through music.
 
In 2016, the singer and his wife, Dr. Jackie Greene, launched Forward City Church in Columbia, South Carolina, which he describes as “a church for the unchurched and over-churched.” While pastoring the quickly growing congregation at home and extending scholarships and mission work to thousands of people in Africa, Greene also embarked on a world tour. He brought his cultural boundary crossing music to many African countries, including Nigeria and Ghana; the Caribbean islands of Trinidad and Tobago, and Jamaica; Dubai; and to London, Montreal and Toronto. “I’ve been called to minister in many different ways,” Greene says, “but I see my gospel-centered activities not as finding a balance but as more of a rhythm, fully aware of what God has called me to do.”
 
For more information (and to hear the full album) please visit: http://www.travisgreene.net/
 
 

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IRENE MICHAELS JOINS THE RECORDING ACADEMY — AND WHAT THAT VOTE ACTUALLY MEANS

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Awards nominations tell an audience an artist’s work has been noticed. Recording Academy Voting Membership tells a different story: that the artist has been recognized as a peer within the industry itself. Irene Michaels was recently named a Voting Member of the Recording Academy — the organization behind the Grammy Awards — and the distinction carries weight well beyond a title on a bio page.

Voting Membership isn’t handed out casually. It’s reserved for performers, songwriters, producers, engineers, and other creators actively working in the recording industry, and it comes with real influence: Voting Members are the people who ultimately determine Grammy nominees and winners each year. For an artist to be recognized at that level is, in effect, the industry saying her work belongs in the same conversation as the artists and professionals shaping the awards themselves.

That’s a meaningful marker for Michaels’ ongoing music career, which has moved from EPs and singles to Josie Music Award recognition and now into this kind of institutional standing. It reframes her not just as an artist building a catalog, but as a working member of the community that evaluates and honors that catalog industry-wide — someone whose judgment on music now carries an official vote.

It also adds context to everything else happening in her 2026: a triple nomination at the 12th Annual Josie Music Awards, an EP in Golden that’s earning recognition on its own merits, and a career that has spent the last several years steadily building credibility as a serious recording artist rather than a novelty comeback story. Recording Academy membership doesn’t arrive for artists still proving themselves — it arrives for artists the industry has already decided are part of it.

For Irene Michaels, whose career has spanned modeling, acting, publishing, and now music across multiple decades, the Recording Academy recognition is less a single headline than another data point in a larger pattern: an artist whose reinvention keeps being met, at every stage, with the industry taking her seriously.

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