We Speak Entertainment
Tyrese Gibson Admits to Committing Marriage Fraud: “I Only Married Her to Keep Her in the Country”
I hope Tyrese has his lawyers on deck because the singer and actor could be facing some serious legal troubles.
We’ve all been watching Tyrese Gibson as he continues on his social media escapades but has he actually gone too far? He admitted to committing marriage fraud by marrying his now ex-wife, Norma Gibson, just to keep her in the country.
The two were married from 2007 to 2009. She was a resident of London and Tyrese married her because she was carrying his child at the time. His rant on “The Ricky Smiley Morning Show” displays him voluntarily revealing this new information.
“I married you to keep you in the country. I never married you because I was happily married. You’re from London. I married you because we had a baby on the way and I had to do whatever I had to do so that I’m not traveling all the way to London just to spend quality time with my baby…You know that I married her to keep her in the country.”
Tyrese also went on to mention that if it was a real marriage, he would have had a large wedding. He said, “I am the most flashiest, flamboyant dude, other than Floyd Mayweather, there’s nothing that’s low key and quiet.”
Following his divorce from Norma Gibson, Tyrese married Samantha Lee Gibson in a secret Valentine’s Day ceremony. Over the past few months, Tyrese and Norma have still battled in court over their 10-year-old daughter, Shayla. Norma had alleged that Tyrese had beaten Shayla so much that she could not sit down. She also stated other accounts of child abuse which slated a full-blown investigation. Last month after the Los Angeles Department for Children and Family Services closed their investigation, Tyrese was granted joint custody of their daughter.
We Speak Entertainment
“To Love Is To Perform”: Jada Di’Larosa’s Poetic Meditation on Love, Identity, and Solitude
On April 17, 2026, independent artist Jada Di’Larosa introduces a deeply evocative new chapter in her creative journey with the release of To Love Is To Perform. Emerging from the rich cultural undercurrent of New Orleans, Di’Larosa delivers a project that feels intimate, cinematic, and emotionally unguarded—an album that quietly lingers long after the final note fades.
Blending elements of alternative, indie, and nu-jazz, the record is less about traditional structure and more about atmosphere and emotional storytelling. It unfolds like a series of late-night reflections—soft, immersive, and deeply personal. Each track carries a sense of stillness, where restraint becomes a powerful artistic choice, allowing listeners to fully absorb the subtle complexities within her sound.
Between the Spotlight and the Shadows
Jada Di’Larosa’s artistry is shaped by a compelling dual existence. As a professional dancer and showgirl, her nights are filled with performance, light, and spectacle. Yet beyond the stage, she retreats into solitude—writing music that mirrors her introspective nature. This contrast is the emotional backbone of To Love Is To Perform, where themes of identity, vulnerability, and perception are explored with striking honesty.
Rather than presenting a polished, conventional album, Di’Larosa embraces imperfection. The project carries the raw essence of demos—unfiltered, organic, and alive. In her own words, it is “a diary” of her experiences, offering a glimpse into a world that is both quietly glamorous and deeply introspective. That authenticity gives the album its emotional weight, transforming it into something profoundly human.
Sound as Atmosphere, Silence as Language
Musically, the album is guided by minimalism and mood. Piano and violin arrangements intertwine with her haunting vocal delivery, creating a soundscape that feels almost suspended in time. Di’Larosa’s voice is uniquely her own—delicate yet assured, drifting through each composition with a poetic cadence that enhances the storytelling.
Tracks such as “showgirl” and “movie star” reflect the tension between persona and reality, while “bayou st. john” grounds the album in a sense of place and memory. The title track, “to love is to perform,” offers a philosophical lens on relationships, suggesting that love itself can be an act shaped by roles and expectations. Meanwhile, “costume” emerges as a defining moment—an exploration of identity, illusion, and the masks we wear.
Tracklist
- showgirl
- movie star
- bayou st. john
- to love is to perform
- candy
- blackbird
- spinster
- a love noir
- costume
- curtain call
A Quietly Powerful Artistic Statement
What makes To Love Is To Perform so compelling is its refusal to conform. It does not chase trends or demand attention—it invites it. The album thrives in its subtlety, rewarding listeners who are willing to slow down and engage with its emotional depth.
There is a cinematic quality throughout the record, as if each track is a scene from an unseen film—rich with symbolism, mood, and introspection. It’s an experience designed not just to be heard, but to be felt.
Defining Her Own Space
In an industry often driven by visibility and constant output, Jada Di’Larosa stands apart through intentional distance and artistic focus. She allows her work to speak on her behalf, cultivating a sense of mystery that only enhances her presence.
With To Love Is To Perform, she offers more than music—she offers perspective. It is a body of work that explores the delicate balance between who we are and who we present to the world, capturing the beauty and complexity of both.
As the release date approaches, the album positions Di’Larosa as a distinctive voice in contemporary alternative jazz—an artist unafraid to embrace vulnerability, ambiguity, and the quiet power of self-expression.
Connect with Jada Di’Larosa
Official Website: www.jadadilarosa.com
Instagram: @jada.dilarosa
Available on Spotify, Bandcamp, SoundCloud, and YouTube
For inquiries: jadadilarosa@yahoo.com
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