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2019 BLACK MUSIC HONORS PAID TRIBUTE TO MUSIC ICONS XSCAPE, FREDDIE JACKSON, YOLANDA ADAMS, TAMIA, & ARRESTED DEVELOPMENT

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Michael Walker / Umeek Images

Rousing Performances by Avery Wilson, Dee-1, Jade Novah, Jagged Edge, Jekalyn Carr, Naughty By Nature,
June’s Diary, Keke Wyatt, Kelly Price, Le’Andria Johnson, 702, MAJOR. & More Captivated the Audience
Nationally Syndicated Television Special Airs September 14-October 20
Airs On Bounce TV On Sunday, Oct 20

ATLANTA – SEPTEMBER 10, 2019 – The highly anticipated 4th Annual 2019 Black Music Honors hosted by
television and radio personality Rickey Smiley and Grammy® Award-winner and actress LeToya Luckett is
currently airing in national broadcast syndication. The star-studded show was taped live at The Cobb Energy
Performing Arts Centre in Atlanta, GA.
The honoree Xscape, received the Urban Music Icon Award presented by AT&T for the platinum selling quartet
group’s 25 years in the industry. Chart-topping crooner, Freddie Jackson, whose career has spanned over 33 years,
received the Legend Award, presented by State Farm. Yolanda Adams received the Gospel Music Icon Award, and
culturally-conscience eclectic group, Arrested Development, Tamia and Bill Wilters also received recognition.
There were also very many memorable performance tributes by Avery Wilson, Dee-1, Jade Novah, Jagged Edge,
Jekalyn Carr, Naughty By Nature, June’s Diary, Keke Wyatt, Kelly Price, Le’Andria Johnson, Melanie Fiona,
702, & MAJOR were met with standing ovations. Viewers can click Blackmusichonors.com/Airtime.html to check
local airdates and broadcast times.
The night culminated with founder and chairman, Don Jackson, expressing gratitude to the honorees, presenters
and performers for making the night unforgettable. He stated,” the Black Music Honors gives us an opportunity to
celebrate the accomplishments of the trailblazers of African-American music.”
The 4th Annual Black Music Honors show is Executive Produced by Don Jackson, with Jennifer J. Jackson serving
as Producer and Michael A. Johnson as Producer and Director.
State Farm returns as the Black Music Honors title sponsor, in addition to presenting sponsors: AT&T, Walmart,
Chevrolet, Neutrogena Hydro Boost, Stellar TV and CCP.
For more information on Black Music Honors, please visit www.blackmusichonors.com and connect on social media
@blackmusichonors #BMH2019 and #BlackMusicMatters.’

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Cassidy Place Isn’t Guessing Anymore —Muse Proves She Knows Exactly Who She Is

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Cassidy Place didn’t make Muse to test the waters. She made it to plant a flag — three tracks, no filler, zero hesitation. It’s the sound of an artist leaning all the way into her instincts and finally letting her aesthetic run the show: retro-pop shimmer, underground-club pulse, jazz-club intimacy, and that smoky Cassidy vocal that always feels like she’s letting you in on a secret.

Where most debut EPs feel like auditions, Muse feels like a statement. Small package, big personality.

Track One: “Take Me to the Bridge” — the late-night spark
The whole EP opens like a neon sign flickering on. “Take Me to the Bridge” has that throwback sophistication — a little disco, a little jazz, a little midnight mischief. Cassidy rides the groove like she grew up on vinyl and underground dance floors at the same time. It’s smooth, flirtatious, and confident in a way artists usually grow into years later.

Track Two: “Feel My Skin” — the slow-burn center
Here’s where she drops the temperature but somehow turns the heat up. “Feel My Skin” leans into texture — breathy vocals, minimalist production, a pulse that feels like someone whispering right behind your ear. It’s the emotional hinge of the EP, the moment where the character Cassidy’s building gets vulnerable, a little dangerous, and a lot more real.

Track Three: “Infatuation” — the restless release
“Infatuation” ties the entire EP together. It’s got the urgency, the tension, the edge. The track moves with the kind of energy you get when you’re right on the line between fantasy and impulse. Her vocal sits right at that sweet spot — expressive without ever losing control. It’s the payoff, the catharsis, and the moment you realize the EP wasn’t three singles… it was a carefully plotted emotional progression.

The Full Picture: A Three-Track Story About Desire
Muse works because Cassidy treats these songs like chapters, not singles. Together, they chart the arc of longing — the spark, the pull, the surrender. She blends vintage and modern in a way that feels intentional but never overdesigned. There’s a rawness under all the gloss that makes the EP breathe.

And while the run time is tight, nothing about the impact is small. Muse is the sound of an artist arriving — not loudly, but unmistakably.

If this is her first shot at defining herself, she’s already made the point:
Cassidy Place isn’t chasing a sound. She is one.

Steam Muse on Spotify here:

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