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Baker Grace Releases New Christmas Single “These Bells Will Ring”

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Pop superstar Baker Grace has just released her new Christmas single “These Bells Will Ring”, a holiday follow up to her last two viral songs “Painkiller” and “American Dream Girl.” 

“These Bells Will Ring” is a Christmas song about peace in these hard times for the world today. 

With her debut EP in 2019, “Girl I Know”, Baker Grace emerged as an artist with undeniable confidence. She stretches the boundaries of pop music and with each new release shows a new level of musicianship and introspection while maintaining her integrity and singularity. The 23-year-old singer-songwriter from Weehawken, NJ is working to create her own charming reality aside from the masses. Her sophomore EP, “Yourz Truly” illuminated her inner world and personal philosophies more freely than ever, sharing her story with equal parts boldness and dreamy sensitivity. Each song represents either a letter to herself or to someone else. “Yourz Truly” was followed by collaborations with rising star Cautious Clay, Grammy-nominated producer Scott Harris (Shawn Mendes, The Chainsmokers, Dua Lipa, Chance The Rapper, Kygo), and Mexican pop singer-songwriter Charlie Rodd. Following a slew of singles in 2021, Baker wrote four songs on the soundtrack for the feature film Last Survivors starring Alicia Silverstone, which topped the charts on Hulu, featuring the breakout track, “Lullaby”. Splitting her time between NYC and Los Angeles, she continued through 2022 with singles “Shake The Earth” and “Pressure”, and collaborative song “Little Magic” with Sabino along with stunning music videos to accompany them. 

Stream “These Bells Will Ring” by Baker Grace here:

https://orcd.co/these_bells_will_ring

The official website for Baker Grace may be found at 

https://www.bakergracemusic.com

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Unethical Dogma Pull Back The Dark Curtain For A Carefully Engineered Descent into Technical Melancholy

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Unethical Dogma return on Behind The Dark Curtain feels less like a standalone EP and more like the final act of a deliberately constructed psychological arc. Across its runtime, the band commits fully to its horror-driven narrative framework, closing the conceptual thread that began with DUSK. The result is a release that feels cohesive, intentional, and structurally disciplined rather than loosely assembled.

Instrumentally, the EP leans heavily into polyrhythmic complexity and tightly wound djent grooves, but what stands out most is how often the band resists pure technical display in favor of atmosphere. Piano passages and choral textures are not ornamental—they function as emotional anchors, giving the heavier sections a sense of collapse rather than just aggression. The contrast between brutality and fragility is handled with noticeable care.

The vocal performance is equally dual-layered. Screamed vocals carry the narrative’s psychological deterioration with intensity, while clean vocals are used sparingly to emphasize moments of reflection or detachment. This dynamic avoids predictability by making restraint as important as force, especially in transitions where the story shifts perspective.

Lyrically and conceptually, the EP benefits from its unusual writing process, which begins with short stories before being translated into music. That foundation is audible in how scenes unfold rather than verses simply progressing. The storytelling feels cinematic, as if each track is a chapter viewed through unstable memory.

Overall, Behind The Dark Curtain succeeds most when it trusts its atmosphere over its technical ambition. It is a dense, carefully designed work that prioritizes immersion, and while it demands patience, it rewards listeners who engage with its narrative structure rather than just its surface complexity.

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