We Speak Music
Bobby Freemont ‘Hurt No More’: A Raw and Haunting Journey Through Grief and Healing
In the emotionally charged landscape of modern indie music, Bobby Freemont stands out as an artist unafraid to bare his soul. Known first for his success as a record producer, amassing over 50 million streams and working with Grammy-nominated and Juno-winning talents, Freemont’s artistic evolution took a sharp and profound turn after the loss of three close individuals. His grief, instead of being an obstacle, became a transformative force, propelling him into a deeply personal solo career. The result is a sound that isn’t just heard but felt—a raw, vulnerable exploration of the human experience. His latest single, Hurt No More, serves as a powerful preview of what we can expect from his forthcoming album, The Death of Bobby Freemont, set for release in 2025.
Freemont’s debut EP Doors To Kick already hinted at his talent for melding emotion with experimental soundscapes, earning nearly 3 million streams and critical acclaim. Yet, Hurt No More marks a new chapter, delving even deeper into his psyche, offering a glimpse into his soul. The song’s origins are steeped in Freemont’s personal tragedy, particularly the memory of a loved one lost to mental illness. This single, however, transcends mere biographical detail, becoming a poignant meditation on grief, depression, and the silent battles many endure in the dark.
From the moment the track begins, Hurt No More wraps the listener in an ethereal atmosphere, balancing melancholy and hope in a way that feels both intimate and expansive. Freemont’s vocal delivery, at times hauntingly echoing the late Mac Miller, adds to the track’s emotional gravity. The combination is striking—there’s an avant-garde, experimental quality to the sound design that feels both innovative and familiar, pulling the listener into a space where vulnerability is the guiding force.
Lyrically, Freemont strips away any artifice, offering up unvarnished verses that speak to the heart of his pain. In a world of polished pop hits and radio-friendly anthems, Freemont’s words carry an unflinching honesty, revealing the unspoken crises that mental illness and grief so often create. His poetic voice doesn’t just speak to his own suffering; it invites listeners to reflect on their own, creating a connection that goes beyond mere empathy. The song isn’t simply a recounting of personal loss—it is an invitation to confront the hidden emotional scars that too many are reluctant to expose.
In reflecting on the single, Freemont himself explains: “Hurt No More is about the battles we face in silence. If you’ve felt the weight of loss and the struggle for peace, you’re not alone.” These words capture the essence of the song, offering solace while simultaneously encouraging listeners to acknowledge their own inner turmoil. It’s a call to action—to sit with our pain, understand it, and ultimately, find some form of peace, however fleeting.
Musically, Hurt No More doesn’t just rely on its emotional core to carry it forward. The production is masterful, showing Freemont’s complete creative control. Every layer of the song feels intentional, from the eerie sound design to the carefully placed moments of silence that punctuate the verses. Each element contributes to a soundscape that evokes both claustrophobia and release, mirroring the emotional journey of those struggling with depression. The song lingers long after it ends, leaving behind a resonant echo of both sorrow and hope.
Freemont’s transformation from behind-the-scenes producer to deeply personal solo artist signals a shift not only in his career but in indie music as a whole. He represents a growing movement of artists who prioritize emotional truth over glossy production, stripping music down to its rawest form. There’s no pretense here, no attempt to sugarcoat difficult emotions. Instead, Freemont offers music that feels like a lived experience, with each song becoming a chapter in a much larger narrative. It’s a bold choice, one that places him at the forefront of a new wave of indie musicians who are redefining what it means to be vulnerable in their art.
What sets Bobby Freemont apart is his ability to make the deeply personal feel universally relatable. Hurt No More doesn’t just tell his story; it reflects the shared human experience of pain, loss, and, ultimately, the search for hope. In his refusal to conform to the polished, superficial sound that dominates much of the music industry, Freemont is charting a new direction for indie music—one where honesty and vulnerability are not just welcomed but essential.
In a musical landscape often dominated by surface-level emotion, Bobby Freemont offers a refreshing, unapologetic honesty. With Hurt No More, he solidifies his reputation as an artist who isn’t afraid to dive into the darkness, knowing that it’s often the only way to find the light. As we wait for his debut album, The Death of Bobby Freemont, one thing is clear: this is only the beginning of what promises to be an emotionally rich and transformative musical journey. Freemont’s work reminds us that even in our deepest pain, we are not alone—and that’s a message worth listening to.
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Doja Cat Brings the Tour Ma Vie World Tour to Scotiabank Arena on November 25
Doja Cat brings her Tour Ma Vie World Tour to Toronto on Wednesday, November 25, with a 7:30 p.m. show at Scotiabank Arena. It is one of the last stops on the biggest headlining run of her career, and it lands in the middle of a heavy week for the building.
The tour supports Vie, her fifth studio album, released in September 2025. The record is an 1980s inspired turn back toward pop, led by the singles “Jealous Type” and “Gorgeous,” and the live show has been built as a full scale arena production. Latto joins the bill as special guest for the entire North American leg, which runs 31 dates from the October 1 opener in Detroit to the December 1 finale at Madison Square Garden in New York.
Toronto gets the show near the end of the run, with Boston on November 23 before it and Montreal on November 27 after it. By the time she reaches Scotiabank Arena, the production will have played more than twenty North American arenas, on top of earlier legs across Oceania, Asia, Latin America and Europe. Earlier in November the tour also plays Miami, Tampa, Orlando and Atlanta.
Fans have been getting a look inside the tour straight from Doja Cat herself. She has been filming the run on Ray-Ban Meta glasses, posting point of view footage from backstage, soundchecks and life on the road, so the Toronto crowd will see a show that has been documented almost night by night. Tickets for November 25 are on sale through Ticketmaster. With the Garden shows in New York closing the tour one week later, the Toronto date is one of the final chances to see this production before the run wraps.
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