We Speak Music
Doppelhandel Shares Hypnotic Retro Heartbreaker ‘So Many Times’
Love hurts—so why do we keep falling for it? “So Many Times” wrestles with that very question, wrapping heartbreak in pulsating synths and an irresistible hook that lingers long after the song ends. Doppelhandel dives deep into the turmoil of love and loss, where building emotional walls seems like the only way to survive.
This track oozes that signature new wave melancholy, with echoes of Depeche Mode’s cold, haunting atmospheres and New Order’s percussive drive. But just when you think it’s all doom and gloom, the hypnotic beat pulls you in, making heartbreak feel oddly addictive.
The chorus is pure magic—an industrial-tinged, synth-laden moment that instantly grabs you. It even brings to mind the darkly enchanting world of Thomas Azier, which makes it all the more intoxicating. You can almost picture yourself wandering through a neon-lit, cinematic dreamscape, where nostalgia and modernity collide in perfect harmony.
Doppelhandel has a way of making introspection feel like a night out. “So Many Times” is proof that pain can be danceable, and that sometimes, the best way to process love’s endless contradictions is to lose yourself in the music.
We Speak Electronic
Reece Rosé Bottles the Feeling on “Misbehaving”
Reece Rosé is not trying to reinvent the wheel. He is here to remind you why it worked in the first place. With “Misbehaving”, the rising electronic artist taps into something instantly familiar, then flips it into a feel-good house cut that lands right where nostalgia meets the dancefloor.
Teaming up with Capri Everitt, Reece Rosé leans into warm textures and groove-driven production that echo the roots of early ’90s house and UK garage. The result is effortless but intentional. Smooth chords, playful rhythms, and just enough bounce to keep things moving without overcomplicating the mood.
“Misbehaving” plays like a memory you did not realize you still had. Late nights, no responsibilities, music loud enough to blur everything else. It pulls from that space where time felt slower but nights somehow lasted longer. “It’s a reminder of those carefree high school days, when life felt simple, the nights felt endless, and the only thing that mattered was the music and the memories we were making,” Rosé explains. And that feeling runs through every second of the track.
What makes it click is that it never gets stuck in the past. The influences are clear, but the execution stays sharp and current. This is not revival for the sake of it. It is a continuation. Rosé understands the DNA of dance music and builds on it, keeping the energy light, summery, and forward-facing.
That balance is quickly becoming his signature. With international airplay on Kiss FM UK and Insomniac Radio, plus support from names like AC Slater, Zeds Dead, Boombox Cartel, DJ Q, REH4B, and DJ Craze, his momentum is building in all the right places. On Beatport, his releases are already making noise, proving that his sound connects both in clubs and beyond.
“Misbehaving” does not try too hard. It does not need to. It is light, nostalgic, and built to move. The kind of track that makes you look back for a second, then pulls you straight into the moment.
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