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Reygel and Mathy present their debut track “Not Like You”

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Experience the synergy of two of Belgium’s top DJs, Reygel and Mathy, in their debut track “Not Like You”. With credentials from iconic stages like Tomorrowland and Club Versuz, these artists have combined their talents to craft an energetic Piano House track.

Perfect for festival vibes and dancefloors, “Not Like You” is guaranteed to make any crowd move. The infectious rhythm and uplifting melodies capture the essence of a perfect party anthem, ensuring an unforgettable experience for listeners.

Whether it’s a massive festival or an intimate club setting, this debut track is a must-have for house music enthusiasts. Get ready to feel the beat and join the dance with this amazing new release.

BUY:
https://www.beatport.com/release/not-like-you-original-mix/4658388

STREAM:
https://open.spotify.com/intl-it/track/4rQBI2FH1DakmFawHKXw2q

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We Speak Electronic

Gino Black Ascends with “Mars to Venus,” A Cinematic Leap Into Melodic House

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There’s a certain kind of record that doesn’t just play—it positions you. It places you somewhere between memory and motion, between reflection and release. With Mars to Venus,” Gino Black delivers exactly that kind of experience: a sleek, atmospheric entry into melodic house that feels as introspective as it does transportive.

Best known for his cinematic hip-hop foundation, Gino Black has built a reputation on blending genres with intention. But here, he leans fully into electronic territory—without abandoning the emotional weight that defines his catalog. “Mars to Venus” isn’t a departure. It’s an evolution.

From the opening moments, the track establishes a sense of space—wide, immersive, almost interstellar. Lush pads stretch across the soundscape while a steady, understated groove anchors the listener. There’s no rush here. No urgency to impress. Instead, Gino exercises restraint, allowing the production to breathe, unfold, and gradually pull you deeper into its orbit.

Thematically, the record explores connection across distance—two separate energies, worlds apart, somehow aligning. It’s a concept that could easily lean cliché, but in Gino’s hands, it feels grounded and mature. There’s an unspoken narrative embedded in the music: late-night drives, long-distance calls, emotional clarity earned over time. This is less about infatuation and more about alignment—grown love, as the record subtly suggests.

What stands out most is the intentionality behind the production. Every layer feels placed with purpose. The bassline doesn’t overpower—it guides. The melodic elements don’t compete—they converse. It’s a reminder that sophistication in dance music isn’t about complexity for its own sake, but about knowing what to leave out.

“Mars to Venus” also signals a broader shift in Gino Black’s artistic trajectory. As the lead single from his forthcoming The ELEVATION EP, slated for release in late spring/early summer, the track sets a clear tone: refined, focused, and elevated in both sound and message. If this single is any indication, the EP will likely continue to blur the lines between electronic music, cinematic storytelling, and personal growth narratives.

In an era where much of the dance floor is driven by immediacy and algorithm-friendly drops, “Mars to Venus” takes a different route. It prioritizes mood over moment, longevity over virality. It’s the kind of track that doesn’t demand attention—but earns it over time.

And that may be its greatest strength.

With “Mars to Venus,” Gino Black isn’t chasing trends. He’s charting a course—one that feels deliberate, expansive, and, fittingly, elevated.

Connect:

Website: www.GinoBlackMusic.com

Instagram: @GinoBlackOfficial

YouTube: @GinoBlackOfficialTV

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