We Speak Music
Aashika Reddy’s LOOK AT ME: A Teenage R&B Diary with a South Asian Twist
At 17, Toronto’s Aashika Reddy is balancing high school life with a fast-rising music career – and her new EP LOOK AT ME proves she’s not just another teen with a dream, but an artist with a vision.
The six-track project marks her first EP, following a string of singles that have already introduced her as one of the most exciting young voices in Canadian R&B/Pop. But LOOK AT ME feels different: it’s not just a playlist of songs, it’s a teenage diary cracked open and set to music.
Teenage Chaos, Captured in Sound
If growing up feels like an emotional rollercoaster, LOOK AT ME is the soundtrack for the ride. The title track, with its biting hook “look at me like you look at her”, sets the tone for a project full of heartbreak, infatuation, and self-discovery. Aashika swings between playful delusion and raw vulnerability – singing about falling too hard, ignoring red flags, and rediscovering joy in new crushes and friendships. It’s messy, emotional, and honest – just like being 17.
South Asian Representation in Real Time
What really makes Aashika stand out is how naturally she brings her South Asian heritage into R&B and pop. On tracks like Time Machine and 3 Steps, traditional tabla percussion sits next to trap beats, while her toplines borrow from the Carnatic vocal runs she grew up practicing.
“My priority is amplifying South Asian creatives and carving out a space where our voices, stories, and artistry are celebrated on a global stage,” she explains. “The EP features Carnatic-inspired vocal runs, thabla percussion woven through most tracks, and melodies rooted in my cultural heritage.” The result is music that doesn’t feel forced or tokenized – it’s personal, experimental, and global all at once.
Bigger Than Just an EP
Aashika Reddy’s goal is clear: she wants to be the kind of artist she didn’t see growing up. “This project is bigger than music – it’s a cultural statement,” she says. “These songs are for brown girls who’ve never seen themselves in this space, for chaotic romantics who vent in their notes app, and for anyone who’s ever felt ‘too much.’”
Her independence adds to the statement. Not only does she sing and write her music, but she also directs and edits her own visuals – taking creative control into her own hands while collaborating with Grammy-winning producer Yonatan Watts (Ariana Grande, Muni Long).
Why LOOK AT ME Matters
With performances already under her belt at venues like TD Music Hall and Nathan Phillips Square, Aashika Reddy is no longer just “one to watch” – she’s already proving herself. LOOK AT ME is both a milestone and a mission: a call for more representation in pop culture, and a reminder that teenage chaos can make for timeless art.
LOOK AT ME is available now on all streaming platforms.
Stay updated with Aashika Reddy by following her on Instagram @_aashikareddy or visiting her Linktree.
We Speak Music
Host Bodies’ track ‘On A Roll’ Gets a Psychedelic Reinvention from Soul Glitch
Ten years after Host Bodies first released the album Daily Apparatus, “On A Roll” has found a completely new groove.
For the Daily Apparatus: 10 Year Remixes project, multi-instrumentalist and producer Nicholas Hasty, under his Soul Glitch moniker, takes the original electronic-rock track and pulls it into deeper, more psychedelic territory.
The remix keeps the energy of Host Bodies intact while opening up the track with new beats, electronic textures and expressive saxophone solos. Electric guitar, bass and layered production give it a rich, genre-blurring sound that sits somewhere between indie electronic, jazztronica, soultronica and alternative dance.
There’s something particularly satisfying about hearing a decade-old track treated not as a relic, but as raw material. Soul Glitch reshapes “On A Roll” , finding new spaces within the original and bringing his own musical language into the mix.
The result is energetic, sensual, psychedelic and unapologetically expansive.
Ten years on, “On A Roll” proves that sometimes the best way to celebrate where a song came from is to find somewhere completely new for it to go.
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