We Speak Music

Dios Negasi drops new single “Harem”

Published

12 months ago

July 16, 2024

One-man wrecking crew Dios Negasi returns! The emcee/producer dropped his new single “Harem” this morning. Braggadocious boom-bap to the hilt, this is triumphant hustler music. As the artist says “I had been watching a lot of blaxploitation films while cooking up and that vibe took over me.”

Stream / Purchase “Harem”: https://distrokid.com/hyperfollow/diosnegasi/harem

This track is the first leak from the forthcoming Kevlar Cathedral album (to drop on 8/6) a reference to a bullet-proof body of work, which follows the blaxploitation vibe throughout.

For those who have followed Dios Negasi’s career over the past few years, know he has been rapid-firing a slew of tight releases including with his eight-man Los Angeles set, Reagan Era Records and solo. Kevlar Cathedral is the first of three solo offerings for this year and as the artist proclaims “you can tell the growth on each project.” The most recent release being last winter’s Black Violin LP which featured appearances by all members of Reagan Era Records as well as RJ Payne.

More Info: https://www.instagram.com/diosnegasi/

We Speak Music

Hip Hop’s Conscious Superhero OSVN Rivets in “Long Live The Cow” Single

Published

23 hours ago

July 11, 2025

MJ Savino

Hip Hop’s conscious superhero OSVN brings listeners a gripping shock while exposing society in his new single “Long Live The Cow.” Prolific wordplay looped with harsh truths steers the record. Before pressing play, read more below.

“Long Live the Cow” is a sharp, thought-provoking critique of modern society, where the unnatural has become normal, and where once-sacred truths are traded for synthetic solutions. OSVN confronts the distorted realities of our time: artificial food, corrupt politics, misleading education, and spiritual misdirection.

The cow—an animal held sacred in many cultures—is symbolic here. In America, it has been exploited and slaughtered, just like the people. Now, in a world driven by profit and progress, even the cow is being reengineered; Printed, cloned, and served up without soul.

This song is not just about meat. It’s about meaning. It’s about asking, are these modern practices healing us or harming us? Are we evolving—or erasing ourselves?