We Speak Music
Giant Killers Return with Catchy New Single “Around the Blocks” and a 2024 Makeover!
Indie-pop duo Giant Killers are here to prove that some things just get better with age—like fine wine or that old Blur tour t-shirt you’ve kept since the ’90s. The band has just dropped their second single, “Around the Blocks”, from their album Songs From The Small Places, and it’s as catchy as a Lightning Seeds track (seriously, it’s been described as “the best song the Lightning Seeds never wrote!”).
This track isn’t just another song—it’s an anthem for anyone who’s ever had to fight a little harder for their slice of happiness. So, what’s the story behind this earworm? Picture this: Jamie Wortley and Michael Brown, the masterminds behind Giant Killers, spent their formative years in communities where the odds weren’t exactly stacked in their favor. But instead of wallowing, they turned those experiences into gold. “Around the Blocks” is their love letter to the neighborhoods that shaped them, the overlooked places where people work twice as hard for half the credit. It’s a shoutout to the underdogs, and if you’ve ever been one, this song is your new anthem.
Now, here’s the kicker—this track isn’t new. It was a crowd favorite back in the day when Giant Killers were touring with Blur and the Blow Monkeys. But now, they’ve given it a 2024 makeover that’s set to win over a whole new generation of fans. And just like the song says, sometimes life really does come full circle.
So, what’s next for these indie-pop veterans? With “Around the Blocks” leading the charge, it’s safe to say the comeback is in full swing. Whether you’re reliving your youth or discovering Giant Killers for the first time, this is one band that proves good things really do come to those who wait—about 30 years, give or take.
We Speak Electronic
Reece Rosé Bottles the Feeling on “Misbehaving”
Reece Rosé is not trying to reinvent the wheel. He is here to remind you why it worked in the first place. With “Misbehaving”, the rising electronic artist taps into something instantly familiar, then flips it into a feel-good house cut that lands right where nostalgia meets the dancefloor.
Teaming up with Capri Everitt, Reece Rosé leans into warm textures and groove-driven production that echo the roots of early ’90s house and UK garage. The result is effortless but intentional. Smooth chords, playful rhythms, and just enough bounce to keep things moving without overcomplicating the mood.
“Misbehaving” plays like a memory you did not realize you still had. Late nights, no responsibilities, music loud enough to blur everything else. It pulls from that space where time felt slower but nights somehow lasted longer. “It’s a reminder of those carefree high school days, when life felt simple, the nights felt endless, and the only thing that mattered was the music and the memories we were making,” Rosé explains. And that feeling runs through every second of the track.
What makes it click is that it never gets stuck in the past. The influences are clear, but the execution stays sharp and current. This is not revival for the sake of it. It is a continuation. Rosé understands the DNA of dance music and builds on it, keeping the energy light, summery, and forward-facing.
That balance is quickly becoming his signature. With international airplay on Kiss FM UK and Insomniac Radio, plus support from names like AC Slater, Zeds Dead, Boombox Cartel, DJ Q, REH4B, and DJ Craze, his momentum is building in all the right places. On Beatport, his releases are already making noise, proving that his sound connects both in clubs and beyond.
“Misbehaving” does not try too hard. It does not need to. It is light, nostalgic, and built to move. The kind of track that makes you look back for a second, then pulls you straight into the moment.
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