We Speak Music
‘I AM’: Breakout Star BrianKing highlights self-awareness on newest drop
“I AM” The latest single from the camp of Ghana’s sultry-singing breakout artiste BrianKing is officially out.
The message is simple and clear yet buried in deep vocal tones that align with the slow-paced Saucedupbeats instrumentals. Opening with the repetitive hum “money, money, money…” the song’s lyrics reflect a non-conformist mentality.
BrianKing’s gravelly-sounding baritone voice accentuates the theme. On “I AM”, the singer is simply saying that he is HIM! Delivering a strong message of self-awareness, resiliency, and the search for a meaningful existence, the budding singer pushes himself on a sound that’s unlike his last release “Mood.”
While the allusion to “the awakened” signifies a call to consciousness and awareness of one’s surroundings, the repeated phrase “good times are upon us” conveys a sense of optimism and hope.
He desires independence and achievement, which is reflected in the lines about wanting to be a “rasta” and earning money, but they also go against social norms and judgments, as evidenced by the remarks about smoking and “wicked people.”
“I AM” is the perfect anthem for eccentric folks, the “rastas” who like to light up a roll or two on a sunny beach and everyone trying so hard to not break away from society’s box.
Overall, the song conveys a combination of spiritual awakening, personal struggle, and the will to overcome obstacles while being true to one’s principles and origins. It is a ditty of empowerment and self-discovery.
BrianKing is on a positive trajectory with back-to-back releases under his name already this year, and nothing is stopping him yet as he looks to release a seven-song extended play (EP) titled “Dominion” – scheduled for official release on November 20, 2024.
“I AM” was fine-tuned by Webzy and is finally available on all digital streaming platforms.
We Speak Electronic
Reece Rosé Bottles the Feeling on “Misbehaving”
Reece Rosé is not trying to reinvent the wheel. He is here to remind you why it worked in the first place. With “Misbehaving”, the rising electronic artist taps into something instantly familiar, then flips it into a feel-good house cut that lands right where nostalgia meets the dancefloor.
Teaming up with Capri Everitt, Reece Rosé leans into warm textures and groove-driven production that echo the roots of early ’90s house and UK garage. The result is effortless but intentional. Smooth chords, playful rhythms, and just enough bounce to keep things moving without overcomplicating the mood.
“Misbehaving” plays like a memory you did not realize you still had. Late nights, no responsibilities, music loud enough to blur everything else. It pulls from that space where time felt slower but nights somehow lasted longer. “It’s a reminder of those carefree high school days, when life felt simple, the nights felt endless, and the only thing that mattered was the music and the memories we were making,” Rosé explains. And that feeling runs through every second of the track.
What makes it click is that it never gets stuck in the past. The influences are clear, but the execution stays sharp and current. This is not revival for the sake of it. It is a continuation. Rosé understands the DNA of dance music and builds on it, keeping the energy light, summery, and forward-facing.
That balance is quickly becoming his signature. With international airplay on Kiss FM UK and Insomniac Radio, plus support from names like AC Slater, Zeds Dead, Boombox Cartel, DJ Q, REH4B, and DJ Craze, his momentum is building in all the right places. On Beatport, his releases are already making noise, proving that his sound connects both in clubs and beyond.
“Misbehaving” does not try too hard. It does not need to. It is light, nostalgic, and built to move. The kind of track that makes you look back for a second, then pulls you straight into the moment.
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