We Speak Music
Jan Kalter Shares Poignant New Single ‘Save Our Souls’
Indie folk newcomer Jan Kalter has released his stirring single ‘Save Our Souls’, and it’s a track that sneaks up on you; fragile, intimate, but carrying a quiet power that lingers long after the last note fades. Accompanied by a lyric video full of misty forests and dreamlike vintage visuals, the song feels like a breath of cold air on a winter morning: soft, still, and deeply moving.
Born in Nordhorn, Germany, and now based in Cologne, Jan’s journey started with borrowed piano time at a neighbor’s house before expanding to guitar, trombone, and vocals. From grunge beginnings to finding a true home in folk, he’s carved out a sound that balances raw vulnerability with a hopeful spark — perfect for late-night reflection or long walks where you’re “just thinking about everything”.
‘Save Our Souls’ is delicate by design: tender acoustic textures float around Jan’s wistful vocals, with subtle layers of reverb and choral whispers adding depth without ever drowning the emotion. The imperfections are intentional — like a live performance, they make the song feel human.
On the track, Jan shared:
“‘Save Our Souls’ came from a place of deep reflection on how we connect — or sometimes fail to connect — with each other in challenging times. I wanted the song to feel raw and intimate, so I kept the arrangement stripped-back, letting the voice and acoustic textures carry the emotion. For me, it’s a call for empathy and presence, wrapped in a folk sound that feels both fragile and hopeful.”
With over 400,000 streams already behind him from his debut EP No One Bites And No One Barks, Jan is quickly shaping up as a folk artist with something to say and the rare ability to say it softly, but in a way that cuts deep.
‘Save Our Souls’ is an invitation to pause, breathe, and feel something real.
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“Balancing Act” by Vinyl Floor is a real treat. It is the sixth record from brothers Daniel and Thomas Charlie Pedersen sounds like it was made for right now and how they blend the ’60s and ’70s with modern elements never feels forced.
The production is clear and thoughtful. Every string, every horn, every vintage keyboard has space to exist. “Puppet Laureate” opens strong with real energy, while “The Swan of Eileen Lake” catches you off guard with folk warmth. “Adelaide” might be the best track, built on a lovely piano line with vocals that cut through cleanly. No hiding behind effects here.
The title track closes things out with the reflection the album’s been working toward. The core idea of finding hope in a fractured world could tip into despair easily, but Vinyl Floor stays honest about it. They’re not offering false comfort, but they’re not drowning either.
Progressive rock this restrained is rare. The arrangements serve the songs instead of overshadowing them. If anything, some moments could use more breathing room, but that’s small in a record made by people who clearly care about what they’re saying.
This is for anyone who wants rock that actually wrestles with real ideas. It counts for something.
You can listen here.
